| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London: pick and shovel and gold-pan. Then he crawled out himself into the open. He
was clad in faded overalls and black cotton shirt, with hobnailed brogans on
his feet, and on his head a hat whose shapelessness and stains advertised the
rough usage of wind and rain and sun and camp-smoke. He stood erect, seeing
wide-eyed the secrecy of the scene and sensuously inhaling the warm, sweet
breath of the canyon-garden through nostrils that dilated and quivered with
delight. His eyes narrowed to laughing slits of blue, his face wreathed itself
in joy, and his mouth curled in a smile as he cried aloud:
"Jumping dandelions and happy hollyhocks, but that smells good to me! Talk
about your attar o' roses an' cologne factories! They ain't in it!"
He had the habit of soliloquy. His quick-changing facial expressions might
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac: that voice, to believe those eyes. If you deceive me, you deserve--"
"Ten thousand deaths!" she cried, interrupting him.
"I have never hidden a thought from you, but you--"
"Hush!" she said, "our happiness depends upon our mutual silence."
"Ha! I /will/ know all!" he exclaimed, with sudden violence.
At that moment the cries of a woman were heard,--the yelping of a
shrill little voice came from the antechamber.
"I tell you I will go in!" it cried. "Yes, I shall go in; I will see
her! I shall see her!"
Jules and Clemence both ran to the salon as the door from the
antechamber was violently burst open. A young woman entered hastily,
 Ferragus |