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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Drama on the Seashore by Honore de Balzac:

Then he went away and was gone ten days, and after he returned he put himself where you saw him, and since he has been there he has never said one word."

The fisherman related this history rapidly and more simply than I can write it. The lower classes make few comments as they relate a thing; they tell the fact that strikes them, and present it as they felt it. This tale was made as sharply incisive as the blow of an axe.

"I shall not go to Batz," said Pauline, when we came to the upper shore of the lake.

We returned to Croisic by the salt marshes, through the labyrinth of which we were guided by our fisherman, now as silent as ourselves. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Cavalry General by Xenophon:

by the file-leaders who know that this is their appointed post; or in case of danger suddenly appearing in rear, then by the rear-rank men, whose main idea is that to desert one's post is base. A want of orderly arrangement, on the contrary, leads to confusion worse confounded at every narrow road, at every passage of a river; and when it comes to fighting, no one of his own free will assigns himself his proper post in face of an enemey.

[10] Lit. "where to ride," i.e. in what formation whether on the line of march or in action.

The above are fundamental matters not to be performed without the active help of every trooper who would wish to be a zealous and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

That garden was kept in marvelous order by a single man; the paths, covered with river-sand, continually turned over with the rake, meandered among the borders full of the rarest flowers. Here were all kinds of color and scent, here were lizards on the walls, legions of little flower-pots standing out in the sun, regiments of forks and hoes, and a host of innocent things, a combination of pleasant results to justify the gardener's charming hobby.

At the end of the greenhouse the judge had set up a grandstand, an amphitheatre of benches to hold some five or six thousand pelargoniums in pots--a splendid and famous show. People came to see his geraniums in flower, not only from the neighborhood, but even from the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Augsburg Confession by Philip Melanchthon:

being unable to judge their own strength, though they were of sufficient age. Being thus ensnared, they were compelled to remain, even though some could have been freed by the kind provision of the Canons. And this was more the case in convents of women than of monks, although more consideration should have been shown the weaker sex. This rigor displeased many good men before this time, who saw that young men and maidens were thrown into convents for a living. They saw what unfortunate results came of this procedure, and what scandals were created, what snares were cast upon consciences! They were grieved that the authority of the Canons in so momentous