| The first excerpt represents the past or something you must release, and is drawn from O Pioneers! by Willa Cather: he says father can't get better; can't get well."
The girl's lip trembled. She looked fixedly up
the bleak street as if she were gathering her
strength to face something, as if she were try-
ing with all her might to grasp a situation which,
no matter how painful, must be met and dealt
with somehow. The wind flapped the skirts of
her heavy coat about her.
Carl did not say anything, but she felt his
sympathy. He, too, was lonely. He was a thin,
 O Pioneers! |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Witch, et. al by Anton Chekhov: tiptoe to see the white cap once more.
HAPPINESS
A FLOCK of sheep was spending the night on the broad steppe road
that is called the great highway. Two shepherds were guarding it.
One, a toothless old man of eighty, with a tremulous face, was
lying on his stomach at the very edge of the road, leaning his
elbows on the dusty leaves of a plantain; the other, a young
fellow with thick black eyebrows and no moustache, dressed in the
coarse canvas of which cheap sacks are made, was lying on his
back, with his arms under his head, looking upwards at the sky,
where the stars were slumbering and the Milky Way lay stretched
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The third excerpt represents the future or something you must embrace, and is drawn from The Count of Monte Cristo by Alexandre Dumas: "How do you do, my dear son?" said the major gravely.
"After so many years of painful separation," said Andrea, in
the same tone of voice, and glancing towards the door, "what
a happiness it is to meet again!"
"Indeed it is, after so long a separation."
"Will you not embrace me, sir?" said Andrea.
"If you wish it, my son," said the major; and the two men
embraced each other after the fashion of actors on the
stage; that is to say, each rested his head on the other's
shoulder.
"Then we are once more reunited?" said Andrea.
 The Count of Monte Cristo |