Today's Stichomancy for Isaac Asimov

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Monster Men by Edgar Rice Burroughs:

darkness of which they saw the patch of moonlight through the open door upon the opposite side. Toward this they scurried as von Horn turned back into the court of mystery for the others.

Three more herculean efforts he made before he beat the last of the creatures through the outer doorway of the workshop into the north campong.

Among the age old arts of the celestials none is more strangely inspiring than that of medicine. Odd herbs and unspeakable things when properly compounded under a favorable aspect of the heavenly bodies are potent

The Monster Men

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

slippery and brittle. When he is here, I keep saying to myself, 'Too smooth, too smooth!'"

"Aunt Jane," said Harry, gravely, "I know Malbone very well, and I never knew any man whom it was more unjust to call a hypocrite."

"Did I say he was a hypocrite?" she cried. "He is worse than that; at least, more really dangerous. It is these high-strung sentimentalists who do all the mischief; who play on their own lovely emotions, forsooth, till they wear out those fine fiddlestrings, and then have nothing left but the flesh and the D. Don't tell me!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Importance of Being Earnest by Oscar Wilde:

I'll bet you anything you like that half an hour after they have met, they will be calling each other sister.

ALGERNON. Women only do that when they have called each other a lot of other things first. Now, my dear boy, if we want to get a good table at Willis's, we really must go and dress. Do you know it is nearly seven?

JACK. [Irritably.] Oh! It always is nearly seven.

ALGERNON. Well, I'm hungry.

JACK. I never knew you when you weren't . . .

ALGERNON. What shall we do after dinner? Go to a theatre?

JACK. Oh no! I loathe listening.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Daisy Miller by Henry James:

and unreasoning, too provincial, to have reflected upon her ostracism, or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence, or from her being, essentially, a young person of the reckless class. It must be admitted that holding one's self to a belief in Daisy's "innocence" came to seem to Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her