| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales and Fantasies by Robert Louis Stevenson: Once more Mr. Nicholson digested the vile tidings in silence,
and when John stole a glance at his father's countenance, he
was abashed to see the marks of suffering.
'Well,' said the old gentleman, at last, 'I cannot pretend
not to be simply bowed down. I rose this morning what the
world calls a happy man - happy, at least, in a son of whom I
thought I could be reasonably proud - '
But it was beyond human nature to endure this longer, and
John interrupted almost with a scream. 'Oh, wheest!' he
cried, 'that's not all, that's not the worst of it - it's
nothing! How could I tell you were proud of me? Oh! I
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Pons by Honore de Balzac: silence in the room.
A moment later Schmucke came in. He had slept for six hours, hunger
awakened him, and now he stood at Pons' bedside watching his friend
without saying a word, for Mme. Cibot had laid a finger on her lips.
"Hush!" she whispered. Then she rose and went up to add under her
breath, "He is going off to sleep at last, thank Heaven! He is as
cross as a red donkey!--What can you expect, he is struggling with his
illness----"
"No, on the contrary, I am very patient," said the victim in a weary
voice that told of a dreadful exhaustion; "but, oh! Schmucke, my dear
friend, she has been to the theatre to turn me out of my place."
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes: to it spread out (so the Professor tells me) in the most sensitive
region of the marrow just where it is widening to run upwards into
the hemispheres. It has its seat in the region of sense rather
than of thought. Yet it produces a continuous and, as it were,
logical sequence of emotional and intellectual changes; but how
different from trains of thought proper! how entirely beyond the
reach of symbols! - Think of human passions as compared with all
phrases! Did you ever hear of a man's growing lean by the reading
of "Romeo and Juliet," or blowing his brains out because Desdemona
was maligned? There are a good many symbols, even, that are more
expressive than words. I remember a young wife who had to part
The Autocrat of the Breakfast-Table |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman: could understand. It appeared that we were considered as guests
of the country--sort of public wards. Our first violence had made
it necessary to keep us safeguarded for a while, but as soon as
we learned the language--and would agree to do no harm--they would
show us all about the land.
Jeff was eager to reassure them. Of course he did not tell on
Terry, but he made it clear that he was ashamed of himself, and
that he would now conform. As to the language--we all fell upon
it with redoubled energy. They brought us books, in greater
numbers, and I began to study them seriously.
"Pretty punk literature," Terry burst forth one day, when we were
Herland |
