| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Barnaby Rudge by Charles Dickens: his being--is a traitor, and who has been false to you (despite the
sympathy you two should have together) as he has been to all
others. With hints, and looks, and crafty words, which told again
are nothing, you set on Gashford to this work--this work before us
now. With these same hints, and looks, and crafty words, which
told again are nothing, you urged him on to gratify the deadly
hate he owes me--I have earned it, I thank Heaven--by the abduction
and dishonour of my niece. You did. I see denial in your looks,'
he cried, abruptly pointing in his face, and stepping back, 'and
denial is a lie!'
He had his hand upon his sword; but the knight, with a contemptuous
 Barnaby Rudge |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Works of Samuel Johnson by Samuel Johnson: the diffidence of Socrates, and repair by his candour
the injuries of time: he should impute the seeming
defects of his author to some chasm of intelligence,
and suppose that the sense which is now weak was
once forcible, and the expression which is now dubious
formerly determinate.
How much the mutilation of ancient history has
taken away from the beauty of poetical performances,
may be conjectured from the light which a
lucky commentator sometimes effuses, by the
recovery of an incident that had been long forgotten:
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac: fell in thick curls, presented a godlike appearance.
Italian genius could invent the tale of Othello; English genius could
put it on the stage; but Nature alone reserves the power of throwing
into a single glance an expression of jealousy grander and more
complete than England and Italy together could imagine. This look,
seen by Esther, made her clutch the Spaniard by the arm, setting her
nails in it as a cat sets its claws to save itself from falling into a
gulf of which it cannot see the bottom.
The Spaniard spoke a few words, in some unfamiliar tongue, to the
Asiatic monster, who crept on her knees to Esther's feet and kissed
them.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Complete Angler by Izaak Walton: shallow waters, and, by degrees, retires to those parts of the river that
are quiet and deeper; in which places, and I think about that time he
spawns; and, as I have formerly told you, with the help of the melter,
hides his spawn or eggs in holes, which they both dig in the gravel; and
then they mutually labour to cover it with the same sand, to prevent it
from being devoured by other fish.
There be such store of this fish in the river Danube, that Rondeletius
says they may, in some places of it, and in some months of the year, be
taken, by those who dwell near to the river, with their hands, eight or
ten load at a time. He says, they begin to be good in May, and that they
cease to be so in August: but it is found to be otherwise in this nation.
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