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Today's Stichomancy for Italo Calvino

The first excerpt represents the past or something you must release, and is drawn from Poems by Bronte Sisters:

The young man scoffed as he turned away, Turned to the call of a sweet lute's measure, Waked by the lightsome touch of pleasure: Had he ne'er met a gentler teacher, Woe had been wrought by that pitiless preacher.

THE WANDERER FROM THE FOLD.

How few, of all the hearts that loved, Are grieving for thee now; And why should mine to-night be moved With such a sense of woe?

Too often thus, when left alone,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from King James Bible:

the land for ever, the branch of my planting, the work of my hands, that I may be glorified.

ISA 60:22 A little one shall become a thousand, and a small one a strong nation: I the LORD will hasten it in his time.

ISA 61:1 The Spirit of the Lord GOD is upon me; because the LORD hath anointed me to preach good tidings unto the meek; he hath sent me to bind up the brokenhearted, to proclaim liberty to the captives, and the opening of the prison to them that are bound;

ISA 61:2 To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn;

ISA 61:3 To appoint unto them that mourn in Zion, to give unto them


King James Bible
The third excerpt represents the future or something you must embrace, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

woven by it during my silent dinner. For the reader must be told of one peculiarity in me, because to it much of the strange complications of my story are due; complications into which a mind less active in weaving imaginary hypotheses to interpret casual and trifling facts would never have been drawn. From my childhood I have been the victim of my constructive imagination, which has led me into many mistakes and some scrapes; because, instead of contenting myself with plain, obvious evidence, I have allowed myself to frame hypothetical interpretations, which, to acts simple in themselves, and explicable on ordinary motives, render the simple-seeming acts portentous. With bitter pangs of self-reproach