| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Woman of No Importance by Oscar Wilde: completely changed since my young days, but I'm bound to state that
poor dear Hunstanton was the most delightful of creatures, and as
good as gold.
MRS. ALLONBY. Ah, my husband is a sort of promissory note; I'm
tired of meeting him.
LADY CAROLINE. But you renew him from time to time, don't you?
MRS. ALLONBY. Oh no, Lady Caroline. I have only had one husband
as yet. I suppose you look upon me as quite an amateur.
LADY CAROLINE. With your views on life I wonder you married at
all.
MRS. ALLONBY. So do I.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Albert Savarus by Honore de Balzac: Chartreuse of les Rouxey, where she leads a life wholly devoted to
religious practices.
PARIS, May 1842.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Beauseant, Vicomtesse de
Father Goriot
The Deserted Woman
Genovese
Massimilla Doni
Hannequin, Leopold
 Albert Savarus |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: "Then," said I, "the working is easy. We must go back again,
and go out at the southern opening. That is all."
In speaking thus, I wished to appear more confident than I really was.
But the retrograde motion of the Nautilus was increasing; and, reversing
the screw, it carried us at great speed.
"It will be a hindrance," said Ned.
"What does it matter, some hours more or less, provided we get
out at last?"
"Yes," repeated Ned Land, "provided we do get out at last!"
For a short time I walked from the saloon to the library.
My companions were silent. I soon threw myself on an ottoman,
 20,000 Leagues Under the Sea |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Emerald City of Oz by L. Frank Baum: "Then let us find it," replied the Wizard, and so all got down on
their hands and knees and began examining the scattered pieces.
"I've found it!" cried the Shaggy Man, and ran to Dorothy with a
queer-shaped piece that had a mouth on it. But when they tried to fit
it to the eye and nose they found the parts wouldn't match together.
"That mouth belongs to some other person," said Dorothy. "You see we
need a curve here and a point there, to make it fit the face."
"Well, it must be here some place," declared the Wizard; "so if we
search long enough we shall find it."
Dorothy fitted an ear on next, and the ear had a little patch of red
hair above it. So while the others were searching for the mouth she
 The Emerald City of Oz |