| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: Esterel mountains between Cannes and Frejus, he remarked a
pretty house in an orange garden at the angle of a bay, and
decided that this should be his Happy Valley. Astrea Redux;
childhood was to come again! The idea has an air of simple
nobility to me, not unworthy of Cincinnatus. And yet, as the
reader has probably anticipated, it is never likely to be
carried into effect. There was a worm i' the bud, a fatal
error in the premises. Childhood must pass away, and then
youth, as surely as age approaches. The true wisdom is to be
always seasonable, and to change with a good grace in changing
circumstances. To love playthings well as a child, to lead an
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner: "No, sir, it is not Gyuri - Gyuri did not do it."
"But when I tell you that he did?"
"But I tell you, sir, that Gyuri did not do it. The man who did
it - he has yellowish hands - I saw them - I saw big yellowish
hands. Gyuri's hands are big, but they are brown."
"Janci, you are right. I was only trying to test you. Gyuri did
not do it; that is, he did not do it with his own hands. The man
who held the knife that struck down the pastor was Varna, the crazy
mechanician."
Janci beat his forehead. "Oh, I am a foolish and useless dreamer!"
he exclaimed; "of course it was Varna's hands that I saw. I have
|