| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Count of Monte Cristo by Alexandre Dumas: Rue du Grand Cours opposite the Medusa fountain, a second
marriage feast was being celebrated, almost at the same hour
with the nuptial repast given by Dantes. In this case,
however, although the occasion of the entertainment was
similar, the company was strikingly dissimilar. Instead of a
rude mixture of sailors, soldiers, and those belonging to
the humblest grade of life, the present assembly was
composed of the very flower of Marseilles society, --
magistrates who had resigned their office during the
usurper's reign; officers who had deserted from the imperial
army and joined forces with Conde; and younger members of
 The Count of Monte Cristo |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pool in the Desert by Sara Jeanette Duncan: them to recall the outlines of the School of Art--it had been built
in a fit of economy--and the headings of the last Director's report,
which I had kindly sent after Armour to Calcutta. Perhaps that had
been the last straw.
The real meaning of the task of implanting Western ideals in the
Eastern mind rose before me when I thought of Armour's doing it--how
they would dwindle in the process, and how he must go on handling
them and looking at them withered and shrunken for twenty-odd years.
I understood--there was enough left in me to understand--Armour's
terrified escape. I was happy in the thought of him, sailing down
the Bay. The possibilities of marriage, social position, assured
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