| The first excerpt represents the past or something you must release, and is drawn from Several Works by Edgar Allan Poe: circumscribing walls of solid granite.
It was in vain that Fortunato, uplifting his dull torch,
endeavoured to pry into the depth of the recess. Its termination
the feeble light did not enable us to see.
"Proceed," I said; "herein is the Amontillado. As for
Luchesi--"
"He is an ignoramus," interrupted my friend, as he stepped
unsteadily forward, while I followed immediately at his heels. In
an instant he had reached the extremity of the niche, and finding
his progress arrested by the rock, stood stupidly bewildered. A
moment more and I had fettered him to the granite. In its surface
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Commission in Lunacy by Honore de Balzac: the five persons who were present. The judge, in sport as it were, had
laid open the woman's sore place. Popinot's countenance of common,
clumsy good-nature, at which the Marquise, the Chevalier, and
Rastignac had been inclined to laugh, had gained importance in their
eyes. As they stole a look at him, they discerned the various
expressions of that eloquent mouth. The ridiculous mortal was a judge
of acumen. His studious notice of the boudoir was accounted for: he
had started from the gilt elephant supporting the chimney-clock,
examining all this luxury, and had ended by reading this woman's soul.
"If the Marquis d'Espard is mad about China, I see that you are not
less fond of its products," said Popinot, looking at the porcelain on
|
The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris: contrivances stood him in fairly good stead. He lunched at
a sailor's boarding-house near the water front, and in the
afternoon worked till six. He was home at six-thirty, and
he and Trina had supper together in the "ladies' dining
parlor," an adjunct of the car conductors' coffee-
joint. Trina, meanwhile, had worked at her whittling all
day long, with but half an hour's interval for lunch, which
she herself prepared upon the oil stove. In the evening
they were both so tired that they were in no mood for
conversation, and went to bed early, worn out, harried,
nervous, and cross.
 McTeague |