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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the past or something you must release, and is drawn from The Crowd by Gustave le Bon:

at sea, a suggestion which, by a process of contagion, was accepted by all those present, both officers and sailors.

It is not necessary that a crowd should be numerous for the faculty of seeing what is taking place before its eyes to be destroyed and for the real facts to be replaced by hallucinations unrelated to them. As soon as a few individuals are gathered together they constitute a crowd, and, though they should be distinguished men of learning, they assume all the characteristics of crowds with regard to matters outside their speciality. The faculty of observation and the critical spirit possessed by each of them individually at once disappears. An

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heroes by Charles Kingsley:

have me go homeward yet. What if there be another noble deed to be done, before I see the sunny hills of Hellas?'

So he went east, and east for ever, by fresh oases and fountains, date-palms, and lawns of grass, till he saw before him a mighty mountain-wall, all rose-red in the setting sun.

Then he towered in the air like an eagle, for his limbs were strong again; and he flew all night across the mountain till the day began to dawn, and rosy-fingered Eos came blushing up the sky. And then, behold, beneath him was the long green garden of Egypt and the shining stream of Nile.

And he saw cities walled up to heaven, and temples, and

The third excerpt represents the future or something you must embrace, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

accomplish this his eyes glowing with the fire of his age, went swiftly, like the clapper of a bell, from this said foot of delectation to the sleeping countenance of his lady and mistress, listening to her slumber, drinking in her respiration again and again, it did not know where it would be sweetest to plant a kiss--whether on the ripe red lips of the seneschal's wife or on this speaking foot. At length, from respect or fear, or perhaps from great love, he chose the foot, and kissed it hastily, like a maiden who dares not. Then immediately he took up his book, feeling his red cheeks redder still, and exercised with his pleasure, he cried like a blind man--"Janua coeli,: gate of Heaven." But Blanche did not move, making sure that


Droll Stories, V. 1