| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London: naught remained in sight but his burning black eyes, poised apparently
unsupported in mid-air.
"I have a refined and harmless solution for them," he said. "A fine spray with
an air-brush, and presto! I am not."
This deftly accomplished, he said, "Now I shall move about, and do you tell me
what sensations you experience."
"In the first place, I cannot see you," I said, and I could hear his gleeful
laugh from the midst of the emptiness. "Of course," I continued, "you cannot
escape your shadow, but that was to be expected. When you pass between my eye
and an object, the object disappears, but so unusual and incomprehensible is
its disappearance that it seems to me as though my eyes had blurred. When you
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrong Box by Stevenson & Osbourne: wandering in a tweed suit on the continent of Europe; and years
of Galignani's Messenger having at length undermined his
eyesight, he suddenly remembered the rivers of Assyria and came
to London to consult an oculist. From the oculist to the dentist,
and from both to the physician, the step appears inevitable;
presently he was in the hands of Sir Faraday, robed in
ventilating cloth and sent to Bournemouth; and to that
domineering baronet (who was his only friend upon his native
soil) he was now returning to report. The case of these
tweedsuited wanderers is unique. We have all seen them entering
the table d'hote (at Spezzia, or Grdtz, or Venice) with a genteel
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