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Today's Stichomancy for Jack Nicholson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King James Bible:

like a green bay tree.

PSA 37:36 Yet he passed away, and, lo, he was not: yea, I sought him, but he could not be found.

PSA 37:37 Mark the perfect man, and behold the upright: for the end of that man is peace.

PSA 37:38 But the transgressors shall be destroyed together: the end of the wicked shall be cut off.

PSA 37:39 But the salvation of the righteous is of the LORD: he is their strength in the time of trouble.

PSA 37:40 And the LORD shall help them, and deliver them: he shall deliver them from the wicked, and save them, because they trust in him.


King James Bible
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ion by Plato:

Ion. The rhapsode belongs to the realm of imitation and of opinion: he professes to have all knowledge, which is derived by him from Homer, just as the sophist professes to have all wisdom, which is contained in his art of rhetoric. Even more than the sophist he is incapable of appreciating the commonest logical distinctions; he cannot explain the nature of his own art; his great memory contrasts with his inability to follow the steps of the argument. And in his highest moments of inspiration he has an eye to his own gains.

The old quarrel between philosophy and poetry, which in the Republic leads to their final separation, is already working in the mind of Plato, and is embodied by him in the contrast between Socrates and Ion. Yet here, as in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato:

question himself. That he will, if he may be allowed to make one or two preliminary remarks. In the first place he has a dreamy recollection of hearing that neither pleasure nor knowledge is the highest good, for the good should be perfect and sufficient. But is the life of pleasure perfect and sufficient, when deprived of memory, consciousness, anticipation? Is not this the life of an oyster? Or is the life of mind sufficient, if devoid of any particle of pleasure? Must not the union of the two be higher and more eligible than either separately? And is not the element which makes this mixed life eligible more akin to mind than to pleasure? Thus pleasure is rejected and mind is rejected. And yet there may be a life of mind, not human but divine, which conquers still.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ivanhoe by Walter Scott:

man,---some lay stretched on earth as if never more to rise,---some had already gained their feet, and were closing hand to hand with those of their antagonists who were in the same predicament,---and several on both sides, who had received wounds by which they were disabled, were stopping their blood by their scarfs, and endeavouring to extricate themselves from the tumult. The mounted knights, whose lances had been almost all broken by the fury of the encounter, were now closely engaged with their swords, shouting their war-cries, and exchanging


Ivanhoe