| The first excerpt represents the past or something you must release, and is drawn from The Importance of Being Earnest by Oscar Wilde: mamma.
 LADY BRACKNELL.  Come here.  Sit down.  Sit down immediately.
Hesitation of any kind is a sign of mental decay in the young, of
physical weakness in the old.  [Turns to JACK.]  Apprised, sir, of
my daughter's sudden flight by her trusty maid, whose confidence I
purchased by means of a small coin, I followed her at once by a
luggage train.  Her unhappy father is, I am glad to say, under the
impression that she is attending a more than usually lengthy
lecture by the University Extension Scheme on the Influence of a
permanent income on Thought.  I do not propose to undeceive him.
Indeed I have never undeceived him on any question.  I would
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      The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ivanhoe by Walter Scott: Knight passed the gallery close to that of the
Prince, in which the Lady Alicia was seated in the
full pride of triumphant beauty, and, pacing forwards
as slowly as he had hitherto rode swiftly
around the lists, he seemed to exercise his right of
examining the numerous fair faces which adorned
that splendid circle.
 It was worth while to see the different conduct
of the beauties who underwent this examination,
during the time it was proceeding.  Some blushed,
some assumed an air of pride and dignity, some
   Ivanhoe | 
      The third excerpt represents the future or something you must embrace, and is drawn from The Golden Threshold by Sarojini Naidu: Beauty, the eternal Beauty.  'The makers of gold and the makers
of verse,' they are the twin creators that sway the world's
secret desire for mystery; and what in my father is the genius of
curiosity--the very essence of all scientific genius--in me is
the desire for beauty.  Do you remember Pater's phrase about
Leonardo da Vinci, 'curiosity and the desire of beauty'?"
 It was the desire of beauty that made her a poet; her "nerves of
delight" were always quivering at the contact of beauty.  To
those who knew her in England, all the life of the tiny figure
seemed to concentrate itself in the eyes; they turned towards
beauty as the sunflower turns towards the sun, opening wider and
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