| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Economist by Xenophon: Isch. Most certainly the latter, Socrates; I try to educate them, as
you say, myself; and with good reason. He who is properly to fill my
place and manage my affairs when I am absent, my "alter ego,"[5] needs
but to have my knowledge; and if I am fit myself to stand at the head
of my own business, I presume I should be able to put another in
possession of my knowledge.[6]
[5] Or, "my other self."
[6] Lit. "to teach another what I know myself."
Soc. Well then, the first thing he who is properly to take your place
when absent must possess is goodwill towards you and yours; for
without goodwill, what advantage will there be in any knowledge
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry: his limp where the right shoe hurt him, his forced smile, his awkward
simulation of a gallant air, all reproduced with startling fidelity.
For the first time a mirror had been held up to him. The corroboration
of one of the youngsters calling, "Mamma, come and see Pancha do like
Mr. Johnson," was not needed.
As softly as the caricatured tans would permit, Dry Valley tiptoed
back to the gate and home again.
Twenty minutes after the time appointed for the walk Panchita tripped
demurely out of her gate in a thin, trim white lawn and sailor hat.
She strolled up the sidewalk and slowed her steps at Dry Valley's
gate, her manner expressing wonder at his unusual delinquency.
 Heart of the West |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Profits of Religion by Upton Sinclair: Most of these incantations are harmless, and some are amiable;
but now and then you come upon one which is sinister in its
implications. The volume before me happens to be of the Church of
England, which is even more forthright in its confronting of the
Great Magic. Many years ago I remember talking with an English
army officer, asking how he could feel sure of his soldiers in
case of labor strikes; did it never occur to him that the men had
relatives among the workers, and might some time refuse to shoot
them? His answer was that he was aware of it, the military had
worked out its technique with care. He would never think of
ordering his men to fire upon a mob in cold blood; he would first
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde: his brown agate eyes--that it was through certain words of his,
musical words said with musical utterance, that Dorian Gray's soul
had turned to this white girl and bowed in worship before her.
To a large extent the lad was his own creation. He had made
him premature. That was something. Ordinary people waited till
life disclosed to them its secrets, but to the few, to the elect,
the mysteries of life were revealed before the veil was drawn away.
Sometimes this was the effect of art, and chiefly of the art of literature,
which dealt immediately with the passions and the intellect.
But now and then a complex personality took the place and assumed
the office of art, was indeed, in its way, a real work of art,
 The Picture of Dorian Gray |