| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from United States Declaration of Independence: He has refused for a long time, after such dissolutions,
to cause others to be elected; whereby the Legislative Powers,
incapable of Annihilation, have returned to the People at large
for their exercise; the State remaining in the mean time exposed
to all the dangers of invasion from without, and convulsions within.
He has endeavoured to prevent the population of these States;
for that purpose obstructing the Laws of Naturalization of Foreigners;
refusing to pass others to encourage their migration hither,
and raising the conditions of new Appropriations of Lands.
He has obstructed the Administration of Justice, by refusing his Assent
to Laws for establishing Judiciary Powers.
 United States Declaration of Independence |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato: names, and found that the early Egyptians in writing them down had
translated them into their own language, and he recovered the meaning of
the several names and when copying them out again translated them into our
language. My great-grandfather, Dropides, had the original writing, which
is still in my possession, and was carefully studied by me when I was a
child. Therefore if you hear names such as are used in this country, you
must not be surprised, for I have told how they came to be introduced. The
tale, which was of great length, began as follows:--
I have before remarked in speaking of the allotments of the gods, that they
distributed the whole earth into portions differing in extent, and made for
themselves temples and instituted sacrifices. And Poseidon, receiving for
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Legend of Sleepy Hollow by Washington Irving: ostrich egg was hung from the centre of the room, and a corner
cupboard, knowingly left open, displayed immense treasures of old
silver and well-mended china.
From the moment Ichabod laid his eyes upon these regions of
delight, the peace of his mind was at an end, and his only study
was how to gain the affections of the peerless daughter of Van
Tassel. In this enterprise, however, he had more real
difficulties than generally fell to the lot of a knight-errant of
yore, who seldom had anything but giants, enchanters, fiery
dragons, and such like easily conquered adversaries, to contend
with and had to make his way merely through gates of iron and
 The Legend of Sleepy Hollow |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft: of broken-off parts at ends and around sides. Six feet end to
end, three and five-tenths feet central diameter, tapering to
one foot at each end. Like a barrel with five bulging ridges in
place of staves. Lateral breakages, as of thinnish stalks, are
at equator in middle of these ridges. In furrows between ridges
are curious growths - combs or wings that fold up and spread out
like fans. All greatly damaged but one, which gives almost seven-foot
wing spread. Arrangement reminds one of certain monsters of primal
myth, especially fabled Elder Things in Necronomicon.
"Their
wings seem to be membranous, stretched on frame work of glandular
 At the Mountains of Madness |