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Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

streets to get out of his sight. And he says to me like this: `Come here,' after telling me I had helped to kill the boy. You hear, Tom? He says like this: `Come here,' after taking my very heart out of me along with the boy to smash in the dirt."

She ceased, then dreamily repeated twice: "Blood and dirt. Blood and dirt." A great light broke upon Comrade Ossipon. It was that half-witted lad then who had perished in the park. And the fooling of everybody all round appeared more complete than ever - colossal. He exclaimed scientifically, in the extremity of his astonishment: "The degenerate - by heavens!"

"Come here." The voice of Mrs Verloc rose again. "What did he


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ursula by Honore de Balzac:

conduct, endeavoring to persuade her. She requested Monsieur Bongrand to engage two rooms for her at the "Vieille Poste" inn until she could find some lodging in town where she could live with La Bougival. She returned to her own room for her prayer-book, and spent the night, with the abbe, his assistant, and Savinien, in weeping and praying beside her uncle's body. Savinien came, after his mother had gone to bed, and knelt, without a word, beside his Ursula. She smiled at him sadly, and thanked him for coming faithfully to share her troubles.

"My child," said Monsieur Bongrand, bring her a large package, "one of your uncle's heirs has taken these necessary articles from your drawers, for the seals cannot be opened for several days; after that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

and I may therefore assume that all my readers are more or less cognizant of the main outlines a "Darkest England." My slum officers are living in the midst of it their reports are before me, and one day I may publish some more detailed account of the actual facts of the social condition of the Sunken Millions. But not now. All that must be taken as read. I only glance at the subject in order to bring into clear relief the salient points of our new Enterprise.

I have spoken of the houseless poor. Each of these represents a point in the scale of human suffering below that of those who have still contrived to keep a shelter over their heads. A home is a home, be it ever so low; and the desperate tenacity with which the poor will cling


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedo by Plato:

Summon me then, he said, and I will be your Iolaus until the sun goes down.

I summon you rather, I rejoined, not as Heracles summoning Iolaus, but as Iolaus might summon Heracles.

That will do as well, he said. But first let us take care that we avoid a danger.

Of what nature? I said.

Lest we become misologists, he replied, no worse thing can happen to a man than this. For as there are misanthropists or haters of men, there are also misologists or haters of ideas, and both spring from the same cause, which is ignorance of the world. Misanthropy arises out of the too great confidence of inexperience;--you trust a man and think him altogether true