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Today's Stichomancy for James Cameron

The first excerpt represents the past or something you must release, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

side of our slain brother's bones? so that, while one skeleton shall remain as the everlasting monument of our sorrow, the other shall endure as long, exhibiting to the whole human race a terrible example of Pygmy vengeance! Such is the question. I put it to you in full confidence of a response that shall be worthy of our national character, and calculated to increase, rather than diminish, the glory which our ancestors have transmitted to us, and which we ourselves have proudly vindicated in our warfare with the cranes."

The orator was here interrupted by a burst of irrepressible enthusiasm; every individual Pygmy crying out that the national


Tanglewood Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twelve Stories and a Dream by H. G. Wells:

before long," and in that assurance he had been able to suspend his mental perplexities. But any fresh development seemed destined to add new impossibilities to a pile already heaped beyond the powers of his acceptance. He found himself doubting whether his memory might not have played him some grotesque trick, debating whether any of these things could possibly have happened; and in the afternoon he hunted up Mr. Hart again to share the intolerable weight on his mind. He found Mr. Hart engaged with a well-known private detective, but as that gentleman accomplished nothing in this case, we need not enlarge upon his proceedings.

All that day Mr. Bessel's whereabouts eluded an unceasingly active

The third excerpt represents the future or something you must embrace, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

one. But they knew then, I firmly believe. With scarcely a word said, four of us, the chauffeur, butler, gardener, and I, hurried down to the pool.

There was a faint, barely perceptible movement of the water as the fresh flow from one end urged its way toward the drain at the other. with little ripples that were hardly the shadows of waves, the laden mattress moved irregularly down the pool. A small gust of wind that scarcely corrugated the surface was enough to disturb its accidental course with its accidental burden. The touch of a cluster of leaves revolved it slowly, tracing, like the leg of compass, a thin red circle in the water.

It was after we started with Gatsby toward the house that the gardener


The Great Gatsby