Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catherine de Medici by Honore de Balzac:

the chamber with the caution of a thief, glided like a shadow over the carpet, saw no one, and bethought her that she should surely surprise the queen-mother in that magnificent dressing-room which comes between the bedroom and the oratory. The arrangement of this oratory, to which the manners of that period gave a role in private life like that of the boudoirs of our day, can still be traced.

By an almost inexplicable chance, when we consider the state of dilapidation into which the Crown has allowed the chateau of Blois to fall, the admirable woodwork of Catherine's cabinet still exists; and in those delicately carved panels, persons interested in such things may still see traces of Italian splendor, and discover the secret

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Father Damien by Robert Louis Stevenson:

it in that scene where it could be most completely and sensitively understood - Kalawao, which you have never visited, about which you have never so much as endeavoured to inform yourself; for, brief as your letter is, you have found the means to stumble into that confession. "LESS THAN ONE-HALF of the island," you say, "is devoted to the lepers." Molokai - "MOLOKAI AHINA," the "grey," lofty, and most desolate island - along all its northern side plunges a front of precipice into a sea of unusual profundity. This range of cliff is, from east to west, the true end and frontier of the island. Only in one spot there projects into the ocean a certain triangular and rugged down, grassy, stony, windy,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Laches by Plato:

never harmonized. The knowledge which in the Protagoras is explained as the faculty of estimating pleasures and pains is here lost in an unmeaning and transcendental conception. Yet several true intimations of the nature of courage are allowed to appear: (1) That courage is moral as well as physical: (2) That true courage is inseparable from knowledge, and yet (3) is based on a natural instinct. Laches exhibits one aspect of courage; Nicias the other. The perfect image and harmony of both is only realized in Socrates himself.

The Dialogue offers one among many examples of the freedom with which Plato treats facts. For the scene must be supposed to have occurred between B.C. 424, the year of the battle of Delium, and B.C. 418, the year of the battle

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

"Oh, you're asking me too many questions about it!" cried Bordenave, whom a score of men were besieging with their queries. "You're going to see her, and I'm off; they want me."

He disappeared, enchanted at having fired his public. Mignon shrugged his shoulders, reminding Steiner that Rose was awaiting him in order to show him the costume she was about to wear in the first act.

"By Jove! There's Lucy out there, getting down from her carriage," said La Faloise to Fauchery.

It was, in fact, Lucy Stewart, a plain little woman, some forty years old, with a disproportionately long neck, a thin, drawn face,