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Today's Stichomancy for James Joyce

The first excerpt represents the past or something you must release, and is drawn from From London to Land's End by Daniel Defoe:

that is to say, to the Crown.

To each of these families, whom I would now call farmers, it was proposed to advance 200 pounds in ready money as a stock to set them to work; to furnish them with cattle, horses, cows, hogs, &c.; and to hire and pay labourers to inclose, clear, and cure the land, which it would be supposed the first year would not be so much to their advantage as afterwards, allowing them timber out of the forest to build themselves houses and barns, sheds and offices, as they should have occasion; also for carts, waggons, ploughs, harrows, and the like necessary things: care to be taken that the men and their families went to work forthwith according to the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Camille by Alexandre Dumas:

which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.

The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty.


Camille
The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey:

his ears. "Do what--you want--with me."

"Rest then--don't worry--sleep," he replied.

Abruptly he arose, as if words had been decision for him, and with a sharp command to the dogs he strode from the camp. Venters was conscious of an indefinite conflict of change within him. It seemed to be a vague passing of old moods, a dim coalescing of new forces, a moment of inexplicable transition. He was both cast down and uplifted. He wanted to think and think of the meaning, but he resolutely dispelled emotion. His imperative need at present was to find a safe retreat, and this called for action.


Riders of the Purple Sage