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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

all do as an illustrious man did, who took as an exemplar one who had been praised and famous before him, and whose achievements and deeds he always kept in his mind, as it is said Alexander the Great imitated Achilles, Caesar Alexander, Scipio Cyrus. And whoever reads the life of Cyrus, written by Xenophon, will recognize afterwards in the life of Scipio how that imitation was his glory, and how in chastity, affability, humanity, and liberality Scipio conformed to those things which have been written of Cyrus by Xenophon. A wise prince ought to observe some such rules, and never in peaceful times stand idle, but increase his resources with industry in such a way that they may be available to him in adversity, so that if fortune chances it may find


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

a life?

SIR OLIVER. No, indeed I am not; though I have heard he is as hale and healthy as any man of his years in Christendom.

CHARLES. There again, now, you are misinformed. No, no, the climate has hurt him considerably, poor uncle Oliver. Yes, yes, he breaks apace, I'm told--and is so much altered lately that his nearest relations would not know him.

SIR OLIVER. No! Ha! ha! ha! so much altered lately that his nearest relations would not know him! Ha! ha! ha! egad--ha! ha! ha!

CHARLES. Ha! ha!--you're glad to hear that, little Premium?

SIR OLIVER. No, no, I'm not.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

for instance nobly enough, "are not like snow and wind, they must be deduced and known from the secrets of nature. Therefore misfortune is ignorance, fortune is knowledge. The man who walks out in the rain is not unfortunate if he gets a ducking."

"Nature," he says again, "makes the text, and the medical man adds the gloss; but the two fit each other no better than a dog does a bath;" and again, when he is arguing against the doctors who hated chemistry--"Who hates a thing which has hurt nobody? Will you complain of a dog for biting you, if you lay hold of his tail? Does the emperor send the thief to the gallows, or the thing which he has stolen? The thief, I think. Therefore science should not be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

to have her go. She'd have given her to anybody. They ain't half human up there. I guess the mother's dead by now, with the life she was leading. Anyhow, I've never heard of her from that day to this."

"My God, how ghastly," Harney murmured; and Charity, choking with humiliation, sprang to her feet and ran upstairs. She knew at last: knew that she was the child of a drunken convict and of a mother who wasn't "half human," and was glad to have her go; and she had heard this history of her origin related to the one being in whose eyes she longed to appear superior to