| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The First Men In The Moon by H. G. Wells: thinness of the air that carried the sound. He recommended a nip of
brandy, and set me the example, and presently I felt better. I turned the
manhole stopper back again. The throbbing in my ears grew louder, and then
I remarked that the piping note of the outrush had ceased. For a time I
could not be sure that it had ceased.
"Well?" said Cavor, in the ghost of a voice.
"Well?" said I.
"Shall we go on?"
I thought. "Is this all?"
"If you can stand it."
By way of answer I went on unscrewing. I lifted the circular operculum
The First Men In The Moon |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Statesman by Plato: philosophers or gods (compare Laws).
The Statesman has lost the grace and beauty of the earlier dialogues. The
mind of the writer seems to be so overpowered in the effort of thought as
to impair his style; at least his gift of expression does not keep up with
the increasing difficulty of his theme. The idea of the king or statesman
and the illustration of method are connected, not like the love and
rhetoric of the Phaedrus, by 'little invisible pegs,' but in a confused and
inartistic manner, which fails to produce any impression of a whole on the
mind of the reader. Plato apologizes for his tediousness, and acknowledges
that the improvement of his audience has been his only aim in some of his
digressions. His own image may be used as a motto of his style: like an
Statesman |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac: half-tints, to do away with the very idea of drawing and all other
artificial means, and give to the form the aspect and roundness of
Nature itself. Come nearer, and you will see the work more distinctly;
if too far off it disappears. See! there, at that point, it is, I
think, most remarkable." And with the end of his brush he pointed to a
spot of clear light color.
Porbus struck the old man on the shoulder, turning to Poussin as he
did so, and said, "Do you know that he is one of our greatest
painters?"
"He is a poet even more than he is a painter," answered Poussin
gravely.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: with his hat in his hand, walked up leisurely to the bar, and gave
in his name as Henry Butter, Oaklands, Shelby County. Turning, with
an indifferent air, he sauntered up to the advertisement, and
read it over.
"Jim," he said to his man, "seems to me we met a boy something
like this, up at Beman's, didn't we?"
"Yes, Mas'r, said Jim, "only I an't sure about the hand."
"Well, I didn't look, of course," said the stranger with a
careless yawn. Then walking up to the landlord, he desired him
to furnish him with a private apartment, as he had some writing to
do immediately.
Uncle Tom's Cabin |
