| The first excerpt represents the past or something you must release, and is drawn from Unconscious Comedians by Honore de Balzac: and moist, like that of the prior of a convent, always wearing list
shoes, a blue coat, and grayish trousers, made his appearance.
"What is it, monsieur?" he said with an air which combined that of a
protector and a subordinate.
"Ravenouillet-- His name is Ravenouillet," said Bixiou turning to
Gazonal. "Have you our notebook of bills due with you?"
Ravenouillet pulled out of his pocket the greasiest and stickiest book
that Gazonal's eyes had ever beheld.
"Write down at three months' sight two notes of five hundred francs
each, which you will proceed to sign."
And Bixiou handed over two notes already drawn to his order by
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Woman of No Importance by Oscar Wilde: It means a very brilliant future in store for you. Your dear
mother will be delighted. I really must try and induce her to come
up here to-night. Do you think she would, Gerald? I know how
difficult it is to get her to go anywhere.
GERALD. Oh! I am sure she would, Lady Hunstanton, if she knew
Lord Illingworth had made me such an offer.
[Enter Footman with shawl.]
LADY HUNSTANTON. I will write and tell her about it, and ask her
to come up and meet him. [To Footman.] Just wait, Francis.
[Writes letter.]
LADY CAROLINE. That is a very wonderful opening for so young a man
|
The third excerpt represents the future or something you must embrace, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: with a mad, absorbing passion, where self-sacrifice is so
mingled with selfishness that the two emotions seem one; he
will hungrily yearn to possess her, to call her by his own
name, to hold her in his arms, to kill any one else who claims
her. But when she is once his wife, and his arms hold a body
without a soul,--no soul at least for him,--then her image is
almost inevitably profaned, and the passion which began too
high for earth ends far too low for heaven. Let now death
change that form to marble, and instantly it resumes its virgin
holiness; though the presence of life did not sanctify, its
departure does. It is only the true lover to whom the breathing
|
