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Today's Stichomancy for Jane Seymour

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

unaided exertions to rely on. Frances went into an inner room to take off her bonnet, and she came out a model of frugal neatness, with her well-fitting black stuff dress, so accurately defining her elegant bust and taper waist, with her spotless white collar turned back from a fair and shapely neck, with her plenteous brown hair arranged in smooth bands on her temples, and in a large Grecian plait behind: ornaments she had none--neither brooch, ring, nor ribbon; she did well enough without them --perfection of fit, proportion of form, grace of carriage, agreeably supplied their place. Her eye, as she re-entered the small sitting-room, instantly sought mine, which was just then


The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ruling Passion by Henry van Dyke:

A shade passed over the face of Jacques. He turned away from the lamp and bent over the violin on his knees, fingering the strings nervously. Then he spoke, in a changed, shaken voice.

"Ah'l tole you somet'ing, Ma'amselle Serene. You ma frien'. Don' you h'ask me dat reason of it no more. Dat's somet'ing vair' bad, bad, bad. Ah can't nevair tole dat--nevair."

There was something in the way he said it that gave a check to her gentle curiosity and turned it into pity. A man with a secret in his life? It was a new element in her experience; like a chapter in a book. She was lady enough at heart to respect his silence. She kept away from the forbidden ground. But the knowledge that it was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Woodlanders by Thomas Hardy:

the smaller village to Great Hintock direct, turn one Saturday night into Little Hintock Lane, and never pull up till it reached Mr. Melbury's gates? The gilding shine of evening fell upon a large, flat box not less than a yard square, and safely tied with cord, as it was handed out from under the tilt with a great deal of care. But it was not heavy for its size; Mrs. Dollery herself carried it into the house. Tim Tangs, the hollow-turner, Bawtree, Suke Damson, and others, looked knowing, and made remarks to each other as they watched its entrance. Melbury stood at the door of the timber-shed in the attitude of a man to whom such an arrival was a trifling domestic detail with which he did not condescend to


The Woodlanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

simple duty. To defend it after it has become untenable, and even to die in so doing, is not heroic, but a noble madness, unless an advantage is to be gained thereby for one's own side. Then, indeed, it rises towards, if not into, the heroism of self- sacrifice.

Who, for example, will not endorse the verdict of all ages on the conduct of those Spartans at Thermopylae, when they sat "combing their yellow hair for death" on the sea-shore? They devoted themselves to hopeless destruction; but why? They felt--I must believe that, for they behaved as if they felt--that on them the destinies of the Western World might hang; that they were in the