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Today's Stichomancy for Jane Seymour

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gobseck by Honore de Balzac:

upon my guard. As for him, though he pretended to be decently drunk, he was perfectly cool, and knew very well what he was about. How it was done I do not know, but the upshot of it was that when we left Grignon's rooms about nine o'clock in the evening, M. de Trailles had thoroughly bewitched me. I had given him my promise that I would introduce him the next day to our Papa Gobseck. The words 'honor,' 'virtue,' 'countess,' 'honest woman,' and 'ill-luck' were mingled in his discourse with magical potency, thanks to that golden tongue of his.

"When I awoke next morning, and tried to recollect what I had done the day before, it was with great difficulty that I could make a connected


Gobseck
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Bondage and My Freedom by Frederick Douglass:

He is still the master of his own body, and can say with the poet, "The hand of Douglass is his own." "The world is all before him, where to choose;" and poor as may be my opinion of the British parliament, I cannot believe that it will ever sink to such a depth of infamy as to pass a law for the recapture of fugitive Irishmen! The shame and scandal of kidnapping will long remain wholly monopolized by the American congress. The Irishman has not only the liberty to emigrate from his country, but he has liberty at home. He can write, and speak, and cooperate for the attainment of his rights and the redress of his wrongs.

The multitude can assemble upon all the green hills and fertile


My Bondage and My Freedom
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twelve Stories and a Dream by H. G. Wells:

to visit all the ministers of religion he could find in the place to borrow a passage home. But he was much too dirty and incoherent-- and his story far too incredible for them. I met him quite by chance. It was close upon sunset, and I was walking out after my siesta on the road to Dunn's Battery, when I met him--I was rather bored, and with a whole evening on my hands--luckily for him. He was trudging dismally towards the town. His woebegone face and the quasi-clerical cut of his dust-stained, filthy costume caught my humour. Our eyes met. He hesitated. "Sir," he said, with a catching of the breath, "could you spare a few minutes for what I fear will seem an incredible story?"

"Incredible!" I said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Tramp Abroad by Mark Twain:

and as they joined the Hotel grounds, with no fences to climb, but only some nobly shaded stone stairways to descend, we spent a part of nearly every day in idling through their smooth walks and leafy groves. There was an attractive spot among the trees where were a great many wooden tables and benches; and there one could sit in the shade and pretend to sip at his foamy beaker of beer while he inspected the crowd. I say pretend, because I only pretended to sip, without really sipping. That is the polite way; but when you are ready to go, you empty the beaker at a draught. There was a brass band,