| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Arabian Nights by Robert Louis Stevenson: house. "If that's a life, it is not one for me."
"I'll tell you what," burst forth Leon; "you, Madame, go into
another room and talk it over with my wife; and I'll stay here and
talk it over with your husband. It may come to nothing, but let's
try."
"I am very willing," replied the young woman; and she proceeded to
light a candle. "This way if you please." And she led Elvira
upstairs into a bedroom. "The fact is," said she, sitting down,
"that my husband cannot paint."
"No more can mine act," replied Elvira.
"I should have thought he could," returned the other; "he seems
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber: possibility of a fresh viewpoint--twist--what is it the sporting
editors call it? Oh, yes--slant. There is the possibility of
getting a new slant on an old idea. That may serve to deflect the
line of the deadly parallel.
Just off State Street there is a fruiterer and importer who
ought to be arrested for cruelty. His window is the most
fascinating and the most heartless in Chicago. A line of
open-mouthed, wide-eyed gazers is always to be found before it.
Despair, wonder, envy, and rebellion smolder in the eyes of those
gazers. No shop window show should be so diabolically set forth as
to arouse such sensations in the breast of the beholder. It is a
 Buttered Side Down |