Today's Stichomancy for Jay Leno
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Extracts From Adam's Diary by Mark Twain: came, for there are but meagre pickings here, and she brought some
of those apples. I was obliged to eat them, I was so hungry. It
was against my principles, but I find that principles have no real
force except when one is well fed. ... She came curtained in
boughs and bunches of leaves, and when I asked her what she meant
by such nonsense, and snatched them away and threw them down, she
tittered and blushed. I had never seen a person titter and blush
before, and to me it seemed unbecoming and idiotic. She said I
would soon know how it was myself. This was correct. Hungry as
I was, I laid down the apple half eaten--certainly the best one I
ever saw, considering the lateness of the season--and arrayed
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Start in Life by Honore de Balzac: those he needed for his own use.
On one occasion, the countess, always kind and good to her former
maid, gave her, as a souvenir perhaps, a little travelling-carriage,
the fashion of which was out of date. Moreau had it repainted, and now
drove his wife about the country with two good horses which belonged
to the farm. Besides these horses, Moreau had his own saddle-horse. He
did enough farming on the count's property to keep the horses and
maintain his servants. He stacked three hundred tons of excellent hay,
but accounted for only one hundred, making use of a vague permission
once granted by the count. He kept his poultry-yard, pigeon-cotes, and
cattle at the cost of the estate, but the manure of the stables was
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson: possibly inherit, but I would much rather have inherited his noble
presence. Try as I please, I cannot join myself on with the
reverend doctor; and all the while, no doubt, and even as I write
the phrase, he moves in my blood, and whispers words to me, and
sits efficient in the very knot and centre of my being. In his
garden, as I played there, I learned the love of mills - or had I
an ancestor a miller? - and a kindness for the neighbourhood of
graves, as homely things not without their poetry - or had I an
ancestor a sexton? But what of the garden where he played himself?
- for that, too, was a scene of my education. Some part of me
played there in the eighteenth century, and ran races under the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: circumstance of alteration was a stab to him; he read in each the
avowal of her truant fancies. That constancy to the Master of
which she was proud while she supposed him dead, she had to blush
for now she knew he was alive, and these blushes were the hated
spring of her new conduct. I am to conceal no truth; and I will
here say plainly, I think this was the period in which Mr. Henry
showed the worst. He contained himself, indeed, in public; but
there was a deep-seated irritation visible underneath. With me,
from whom he had less concealment, he was often grossly unjust, and
even for his wife he would sometimes have a sharp retort: perhaps
when she had ruffled him with some unwonted kindness; perhaps upon
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