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Today's Stichomancy for Jay Leno

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri:

brothers, in these monstrous human hives (which Bentham brought to the notice of the French Constituent Assembly under the name of ``panopticons''), and to discharge him from prison at the end of his term, and plunge him into all the temptations of an atmosphere to which his lungs had become disaccustomed.

Then the ``progressive system'' was introduced,

first in England, where it was devised by Maconochie, next in Ireland, which has given it a name, alternated with that of Sir W. Crofton. This is the most symmetrically perfect machinery, though reminding one somewhat of a company of marionettes. It confirms what was said by Haeckel, that the actual is a summary of the moods of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Women by Louisa May Alcott:

pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But over-strained eyes caused pen and ink to be laid aside for a bold attempt at poker sketching.

While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire. Raphael's face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a


Little Women
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

puraos, and over these again palms brandished their bright fans, as I have seen a conjurer make himself a halo out of naked swords. For in this spot, over a neck of low land at the foot of the mountains, the trade-wind streams into Anaho Bay in a flood of almost constant volume and velocity, and of a heavenly coolness.

It chanced one day that I was ashore in the cove, with Mrs. Stevenson and the ship's cook. Except for the CASCO lying outside, and a crane or two, and the ever-busy wind and sea, the face of the world was of a prehistoric emptiness; life appeared to stand stock- still, and the sense of isolation was profound and refreshing. On a sudden, the trade-wind, coming in a gust over the isthmus, struck

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage Out by Virginia Woolf:

How jolly!" "There--sit there," she commanded. Cowper slid once more.

"How jolly to meet again," said Richard. "It seems an age. _Cowper's_ _Letters>? . . . Bach? . . . _Wuthering_ _Heights_? . . . Is this where you meditate on the world, and then come out and pose poor politicians with questions? In the intervals of sea-sickness I've thought a lot of our talk. I assure you, you made me think."

"I made you think! But why?"

"What solitary icebergs we are, Miss Vinrace! How little we can communicate! There are lots of things I should like to tell