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Today's Stichomancy for Jayne Mansfield

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gorgias by Plato:

affirming any abstract right of this nature: but he is asserting the duty and right of the one wise and true man to dissent from the folly and falsehood of the many. At the same time he acknowledges the natural result, which he hardly seeks to avert, that he who speaks the truth to a multitude, regardless of consequences, will probably share the fate of Socrates.

...

The irony of Plato sometimes veils from us the height of idealism to which he soars. When declaring truths which the many will not receive, he puts on an armour which cannot be pierced by them. The weapons of ridicule are taken out of their hands and the laugh is turned against themselves. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

the secret of many a ship's excellence does lie with the man on board, but it was hopeless for Captain S- to try to make his new iron clipper equal the feats which made the old Tweed a name of praise upon the lips of English-speaking seamen. There was something pathetic in it, as in the endeavour of an artist in his old age to equal the masterpieces of his youth - for the Tweed's famous passages were Captain S-'s masterpieces. It was pathetic, and perhaps just the least bit dangerous. At any rate, I am glad that, what between Captain S-'s yearning for old triumphs and Mr. P-'s deafness, I have seen some memorable carrying on to make a passage. And I have carried on myself upon the tall spars of that


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

the woodmen had been at work on Saturday; trees, felled and freshly trimmed, lay in a clearing, with heaps of sawdust by the sawing-machine and its engine. Hard by was a tem- porary hut, deserted. There was not a breath of wind this morning, and everything was strangely still. Even the birds were hushed, and as we hurried along I and the artilleryman talked in whispers and looked now and again over our shoulders. Once or twice we stopped to listen.

After a time we drew near the road, and as we did so we heard the clatter of hoofs and saw through the tree stems three cavalry soldiers riding slowly towards Woking. We


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

stones - I enclose you a photograph of one on Apemama - are certainly connected with religion; I do not think they are adored. They stand usually on the windward shore of the islands, that is to say, apart from habitation (on ENCLOSED ISLANDS, where the people live on the sea side, I do not know how it is, never having lived on one). I gathered from Tembinoka, Rex Apemamae, that the pillars were supposed to fortify the island from invasion: spiritual martellos. I think he indicated they were connected with the cult of Tenti - pronounce almost as chintz in English, the T being explosive; but you must take this with a grain of salt, for I knew no word of Gilbert Island; and the King's English, although