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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adam Bede by George Eliot:

hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would


Adam Bede
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from American Notes by Rudyard Kipling:

huge room the halves of swine, for whose behoof great lumps of ice were being pitched in at the window. That room was the mortuary chamber where the pigs lay for a little while in state ere they began their progress through such passages as kings may sometimes travel.

Turning a corner, and not noting an overhead arrangement of greased rail, wheel, and pulley, I ran into the arms of four eviscerated carcasses, all pure white and of a human aspect, pushed by a man clad in vehement red. When I leaped aside, the floor was slippery under me. Also there was a flavor of farm-yard in my nostrils and the shouting of a multitude in my

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

what you think about another definition of temperance, which I just now remember to have heard from some one, who said, 'That temperance is doing our own business.' Was he right who affirmed that?

You monster! I said; this is what Critias, or some philosopher has told you.

Some one else, then, said Critias; for certainly I have not.

But what matter, said Charmides, from whom I heard this?

No matter at all, I replied; for the point is not who said the words, but whether they are true or not.

There you are in the right, Socrates, he replied.

To be sure, I said; yet I doubt whether we shall ever be able to discover

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

mother. . . . What terrible dreams there are, though! What are they for? The Tatar smiled and opened his eyes. What river was this, the Volga?

Snow was falling.

"Boat!" was shouted on the further side. "Boat!"

The Tatar woke up, and went to wake his mates and row over to the other side. The ferrymen came on to the river-bank, putting on their torn sheepskins as they walked, swearing with voices husky from sleepiness and shivering from the cold. On waking from their sleep, the river, from which came a breath of piercing cold, seemed to strike them as revolting and horrible.


The Schoolmistress and Other Stories