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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde:

secured by any elaborate scheme of learning. Art requires a good healthy atmosphere. The motives for art are still around about us as they were round about the ancients. And the subjects are also easily found by the earnest sculptor and the painter. Nothing is more picturesque and graceful than a man at work. The artist who goes to the children's playground, watches them at their sport and sees the boy stoop to tie his shoe, will find the same themes that engaged the attention of the ancient Greeks, and such observation and the illustrations which follow will do much to correct that foolish impression that mental and physical beauty are always divorced.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collected Articles by Frederick Douglass:

--an attempt to re-establish a Union by force, which must be the merest mockery of a Union,--an effort to bring under Federal authority States into which no loyal man from the North may safely enter, and to bring men into the national councils who deliberate with daggers and vote with revolvers, and who do not even conceal their deadly hate of the country that conquered them; or whether, on the other hand, we shall, as the rightful reward of victory over treason, have a solid nation, entirely delivered from all contradictions and social antagonisms, based upon loyalty, liberty, and equality, must be determined one way or the other by the present session of Congress. The last session really did nothing which can be considered final as to these questions.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

account of a thing which seemed to me still more curious. To wit, that this dreadful matter brought from these downtrodden people no outburst of rage against these oppressors. They had been heritors and subjects of cruelty and outrage so long that nothing could have startled them but a kindness. Yes, here was a curious revelation, indeed, of the depth to which this people had been sunk in slavery. Their entire being was reduced to a monotonous dead level of patience, resignation, dumb uncomplaining acceptance of whatever might befall them in this life. Their very


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

of the room. A bouncer, with an immense load of business upon his hands, plunged about in the crowd, dragging bashful strangers to prominent chairs, ordering waiters here and there and quarreling furiously with men who wanted to sing with the orchestra.

The usual smoke cloud was present, but so dense that heads and arms seemed entangled in it. The rumble of conversation was replaced by a roar. Plenteous oaths heaved through the air. The room rang with the shrill voices of women bubbling o'er with drink-laughter. The chief element in the music of the orchestra was speed. The musicians played in intent fury. A woman was singing and smiling upon the stage, but no one took notice of her.


Maggie: A Girl of the Streets