| The first excerpt represents the past or something you must release, and is drawn from The People That Time Forgot by Edgar Rice Burroughs: form and kinds of the lower animals was even more marked than
the evolutionary stages of man. The diminutive ecca, or
small horse, became a rough-coated and sturdy little pony in
the Kro-lu country. I saw a greater number of small lions
and tigers, though many of the huge ones still persisted,
while the woolly mammoth was more in evidence, as were several
varieties of the Labyrinthadonta. These creatures, from which
God save me, I should have expected to find further south; but
for some unaccountable reason they gain their greatest bulk in
the Kro-lu and Galu countries, though fortunately they are rare.
I rather imagine that they are a very early life which is
 The People That Time Forgot |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Silverado Squatters by Robert Louis Stevenson: go down behind the mountain shoulder, the platform was
plunged in quiet shadow, and a chill descended from the sky.
Night began early in our cleft. Before us, over the margin
of the dump, we could see the sun still striking aslant into
the wooded nick below, and on the battlemented, pine-
bescattered ridges on the farther side.
There was no stove, of course, and no hearth in our lodging,
so we betook ourselves to the blacksmith's forge across the
platform. If the platform be taken as a stage, and the out-
curving margin of the dump to represent the line of the foot-
lights, then our house would be the first wing on the actor's
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The third excerpt represents the future or something you must embrace, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson: seat of tranquillity as the sport of chance and the slaves of
misery.
Thus they rose in the morning and lay down at night, pleased with
each other and with themselves, all but Rasselas, who, in the
twenty-sixth year of his age, began to withdraw himself from the
pastimes and assemblies, and to delight in solitary walks and
silent meditation. He often sat before tables covered with luxury,
and forgot to taste the dainties that were placed before him; he
rose abruptly in the midst of the song, and hastily retired beyond
the sound of music. His attendants observed the change, and
endeavoured to renew his love of pleasure. He neglected their
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