| The first excerpt represents the past or something you must release, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: moved in a body to old Dr. Denman's surgical theatre, from which
(as you are doubtless aware) Jekyll's private cabinet is most
conveniently entered. The door was very strong, the lock
excellent; the carpenter avowed he would have great trouble and
have to do much damage, if force were to be used; and the
locksmith was near despair. But this last was a handy fellow, and
after two hour's work, the door stood open. The press marked E
was unlocked; and I took out the drawer, had it filled up with
straw and tied in a sheet, and returned with it to Cavendish
Square.
Here I proceeded to examine its contents. The powders were
 The Strange Case of Dr. Jekyll and Mr. Hyde |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from To the Lighthouse by Virginia Woolf: top. "Don't you think they mind," she said to Jasper, "having their
wings broken?" Why did he want to shoot poor old Joseph and Mary? He
shuffled a little on the stairs, and felt rebuked, but not seriously,
for she did not understand the fun of shooting birds; and they did not
feel; and being his mother she lived away in another division of the
world, but he rather liked her stories about Mary and Joseph. She made
him laugh. But how did she know that those were Mary and Joseph? Did
she think the same birds came to the same trees every night? he asked.
But here, suddenly, like all grown-up people, she ceased to pay him the
least attention. She was listening to a clatter in the hall.
"They've come back!" she exclaimed, and at once she felt much more
 To the Lighthouse |
The third excerpt represents the future or something you must embrace, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs: and courteous knight, and he deserves from the hands
of the De Montforts the best hospitality they can give,
and not cold steel and insults." Then she explained
briefly to her astonished father and brothers what had
befallen during the past few days.
Henry de Montfort, with the fine chivalry that marked
him, was the first to step forward with outstretched hand
to thank Norman of Torn, and to ask his pardon for his
rude words and hostile act.
The outlaw but held up his open palm, as he said,
"Let the De Montforts think well ere they take the
 The Outlaw of Torn |