Today's Stichomancy for Jennifer Aniston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

Ac primo adventu exercitus nostri crebras ex oppido excursiones faciebant parvulisque proeliis cum nostris contendebant; postea vallo pedum XII in circuitu %XV% milium crebrisque castellis circummuniti oppido sese continebant. Ubi vineis actis aggere extructo turrim procul constitui viderunt, primum inridere ex muro atque increpitare vocibus, quod tanta machinatio a tanto spatio institueretur: quibusnam mallibus aut quibus viribus praesertim homines tantulae staturae (nam plerumque omnibus Gallis prae magnitudine corporum quorum brevitas nostra contemptui est) tanti oneris turrim in muro sese conlocare confiderent?

Ubi vero moveri et adpropinquare muris viderunt, nova atque inusitata specie commoti legatos ad Caesarem de pace miserunt, qui ad hunc modum

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

It's a fact, Lollie. See-sawing over the peaks does it. Why, crossing the Alleghany Mountains has the Gulf Stream to Bermuda beaten to a frazzle."

So I gave him up finally and went home to pack. He came later in the evening with his machine, the Cannonball, to take me to the station, and he brought the forged notes in the Bronson case.

"Guard them with your life," he warned me. "They are more precious than honor. Sew them in your chest protector, or wherever people keep valuables. I never keep any. I'll not be happy until I see Gentleman Andy doing the lockstep."

He sat down on my clean collars, found my cigarettes and struck a

The Man in Lower Ten

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

satisfaction," she said, turning her sweet and noble face to d'Arthez with a movement full of modest confusion.

One of the most skilful manoeuvres of these actresses is to veil their manner when words are too expressive, and speak with their eyes when language is restrained. These clever discords, slipped into the music of their love, be it false or true, produce irresistible attractions.

"Is it not," she said, lowering her voice and her eyes, after feeling well assured they had produced her effect,--"is it not fulfilling one's destiny to have rendered a great man happy?"

"Did he not write that to you?"

"Yes; but I wanted to be sure, quite sure; for, believe me, monsieur,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of the Far East by Percival Lowell:

counteracting the inequalities of fate. That such is the plain unglamoured view of the procedure is shown by the age at which the object is adopted. Usually the future son or daughter enters the adoptive household as an infant, intentionally so on the part of the would-be parents. His ignorance of a previous relationship largely increases his relative value; for the possibility of his making comparisons in his own mind between a former state of existence and the present one unfavorable to the latter is not pleasant for the adopters to contemplate. He is therefore acquired young. The amusement derived from his company is thus seen to be distinctly paramount to all other considerations. No one cares so heartily to