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Today's Stichomancy for Jennifer Aniston

The first excerpt represents the past or something you must release, and is drawn from Dream Life and Real Life by Olive Schreiner:

been shed, I think the bitterest would be those of children.

By and by she was so tired, and the sun was so hot, she laid her head against the milk-bush, and dropped asleep.

She dreamed a beautiful dream. She thought that when she went back to the farmhouse in the evening, the walls were covered with vines and roses, and the kraals were not made of red stone, but of lilac trees full of blossom. And the fat old Boer smiled at her; and the stick he held across the door, for the goats to jump over, was a lily rod with seven blossoms at the end. When she went to the house her mistress gave her a whole roaster-cake for her supper, and the mistress's daughter had stuck a rose in the cake; and her mistress's son-in-law said, "Thank you!" when she pulled off his boots,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

of white marble, on which, in letters of gold, were read the words, "Aurea mediocritas." Above the sun-dial, affixed to one panel of the facade, he had also caused to be inscribed this sapient maxim: "Umbra mea vita, sic!"

The former window-sills had recently been superceded by sills of red Languedoc marble, found in a marble shop. At the bottom of the garden could be seen a colored statue, intended to lead casual observers to imagine that a nurse was carrying a child. The ground-floor of the house contained only the salon and the dining-room, separated from each other by the well of the staircase and the landing, which formed a sort of antechamber. At the end of the salon, in the other pavilion,

The third excerpt represents the future or something you must embrace, and is drawn from Desert Gold by Zane Grey:

"That of incapacitating Senor Rojas for to-night, and perhaps several nights to come," replied Gale.

"Dick, what will you do?" asked Thorne, now in alarm.

"I'll make a row in that saloon," returned Dick, bluntly. "I'll start something. I'll rush Rojas and his crowd. I'll--"

"Lord, no; you mustn't, Dick--you'll be knifed!" cried Thorne. He was in distress, yet his eyes were shining.

"I'll take a chance. Maybe I can surprise that slow Greaser bunch and get away before they know what's happened....You be ready watching at the window. When the row starts those fellows out there in the plaza will run into the saloon. Then you slip out,


Desert Gold