| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Richard III by William Shakespeare: Tell o'er your woes again by viewing mine.
I had an Edward, till a Richard kill'd him;
I had a husband, till a Richard kill'd him:
Thou hadst an Edward, till a Richard kill'd him;
Thou hadst a Richard, till a Richard kill'd him.
DUCHESS. I had a Richard too, and thou didst kill him;
I had a Rutland too, thou holp'st to kill him.
QUEEN MARGARET. Thou hadst a Clarence too, and Richard
kill'd him.
From forth the kennel of thy womb hath crept
A hell-hound that doth hunt us all to death.
 Richard III |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Alkahest by Honore de Balzac: monotonous in tint, learned the means of irradiating its smoky
atmosphere through its political vicissitudes, which brought it under
the successive dominion of Burgundy, Spain, and France, and threw it
into fraternal relations with Germany and Holland. From Spain it
acquired the luxury of scarlet dyes and shimmering satins, tapestries
of vigorous design, plumes, mandolins, and courtly bearing. In
exchange for its linen and its laces, it brought from Venice that
fairy glass-ware in which wine sparkles and seems the mellower. From
Austria it learned the ponderous diplomacy which, to use a popular
saying, takes three steps backward to one forward; while its trade
with India poured into it the grotesque designs of China and the
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift: sober grave person, who modestly enquires if this was Dr.
Partridge's? She taking him for some cautious city-patient, that
came at that time for privacy, shews him into the dining room. As
soon as I could compose myself, I went to him, and was surprized
to find my gentleman mounted on a table with a two-foot rule in
his hand, measuring my walls, and taking the dimensions of the
room. Pray sir, says I, not to interrupt you, have you any
business with me? Only, sir, replies he, order the girl to bring
me a better light, for this is but a very dim one. Sir, says I,
my name is Partridge: Oh! the Doctor's brother, belike, cries he;
the stair-case, I believe, and these two apartments hung in close
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: fellow,--you had the right on your side; but it's all in vain, and
out of the question, for you to struggle. You are in the devil's
hands;--he is the strongest, and you must give up!"
Give up! and, had not human weakness and physical agony whispered
that, before? Tom started; for the bitter woman, with her wild
eyes and melancholy voice, seemed to him an embodiment of the
temptation with which he had been wrestling.
"O Lord! O Lord!" he groaned, "how can I give up?"
"There's no use calling on the Lord,--he never hears," said
the woman, steadily; "there isn't any God, I believe; or, if there
is, he's taken sides against us. All goes against us, heaven
 Uncle Tom's Cabin |