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Today's Stichomancy for Jennifer Connelly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

was from the beginning a lame and ill-made abortion. For a long period the tribes of men, like the tribes of the higher animals, must have been (on the whole, and allowing for occasional privations and sufferings and conflicts) well adapted to their surroundings and harmonious with the earth and with each other. There must have been a period resembling a Golden Age--some condition at any rate which, compared with subsequent miseries, merited the epithet 'golden.'

It was during this period apparently that the system of Totems arose. The tribes felt their relationship to their


Pagan and Christian Creeds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Somebody's Little Girl by Martha Young:

together to the Mall where the band was playing.

Bessie Bell was always so glad when Sister Helen Vincula took her to the Mall in the afternoon when the band played.

All the little children went every afternoon in their prettiest dresses to the Mall where the band played.

Because in the afternoon the band played just the sort of music that little girls liked to hear.

Every afternoon all the nurses came to the Mall and brought all the babies, and the nurses rolled the babies up and down the sawdust walks in the pretty baby-carriages, with nice white, and pink, and blue parasols over the babies' heads.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

He had other things in view. Boys are blind to much that's going On about 'em day by day, And I had no way of knowing What became of father's pay.

All I knew was when I needed Shoes I got 'em on the spot; Everything for which I pleaded, Somehow, father always got. Wondered, season after season, Why he never took a rest,


A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ion by Plato:

other kind of verse: for not by art does the poet sing, but by power divine. Had he learned by rules of art, he would have known how to speak not of one theme only, but of all; and therefore God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us. And Tynnichus the Chalcidian affords a striking instance of what I am saying: he wrote nothing that any one would care to remember but the famous paean which is in every one's mouth, one of the finest poems ever written, simply an invention of the Muses, as he himself