The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri: theory on crime and punishment; but perhaps it would be equally
impossible to show less solicitude for social defence against
criminal attacks. For it is certain that the mad murderer ``has
committed no crime'' from the ethical and legal point of view of
the classical school; but it is still more certain that there is a
dead man, and a family left behind who may be ruined by the deed,
and it is very probable that this homicide, ``innocent before the
law,'' will renew his outrage on other victims--and at any
rate they are innocent.
And as for the indefinite period of seclusion in an asylum, it is
well to remember, from the point of view of individual rights,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gentle Grafter by O. Henry: "'Come in, Bunk,' says the farmer, 'and look at my place. It's kind of
lonesome here sometimes. I think that's New York calling.'
"We went inside. The room looked like a Broadway stockbroker's--light
oak desks, two 'phones, Spanish leather upholstered chairs and
couches, oil paintings in gilt frames a foot deep and a ticker hitting
off the news in one corner.
"'Hello, hello!' says this funny farmer. 'Is that the Regent Theatre?
Yes; this is Plunkett, of Woodbine Centre. Reserve four orchestra
seats for Friday evening--my usual ones. Yes; Friday--good-bye.'
"'I run over to New York every two weeks to see a show,' says the
farmer, hanging up the receiver. 'I catch the eighteen-hour flyer at
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