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Today's Stichomancy for Jennifer Lopez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde:

Yet the wife loves him! and will rise next day With some red bruise across a careworn face, And sweep the house, and do the common service, And try and smile, and only be too glad If he does not beat her a second time Before her child! - that is how women love. [A pause: GUIDO says nothing.] I think you will not drive me from your side. Where have I got to go if you reject me? - You for whose sake this hand has murdered life, You for whose sake my soul has wrecked itself

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Taming of the Shrew by William Shakespeare:

TRANIO. Not so well apparell'd As I wish you were.

PETRUCHIO. Were it better, I should rush in thus. But where is Kate? Where is my lovely bride? How does my father? Gentles, methinks you frown; And wherefore gaze this goodly company, As if they saw some wondrous monument, Some comet or unusual prodigy?

BAPTISTA.


The Taming of the Shrew
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

his shop. Here they stood upon no ceremony, although the saloons were full of those very aristocrats before whom, in any other place, they would have been ready to sweep, with reverence, the dust brought in by their feet. They were quite at their ease, handling pictures and books without ceremony, when desirous of ascertaining the value of the goods, and boldly upsetting bargains mentally secured in advance by noble connoisseurs. There were many of those infallible attendants of auctions who make it a point to go to one every day as regularly as to take their breakfast; aristocratic connoisseurs who look upon it as their duty not to miss any opportunity of adding to their collections, and who have no other occupation between twelve o'clock and one; and


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Little Rivers by Henry van Dyke:

becomes what Charles Lamb calls "a mockery of a river--a liquid artifice--a wretched conduit." But take away the water from the most beautiful river-banks, and what is left? An ugly road with none to travel it; a long, ghastly scar on the bosom of the earth.

The life of a river, like that of a human being, consists in the union of soul and body, the water and the banks. They belong together. They act and react upon each other. The stream moulds and makes the shore; hollowing out a bay here, and building a long point there; alluring the little bushes close to its side, and bending the tall slim trees over its current; sweeping a rocky ledge clean of everything but moss, and sending a still lagoon full