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Today's Stichomancy for Jennifer Love Hewitt

The first excerpt represents the past or something you must release, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

he led the way into the next apartment.

This was a large room, hung with black, as if for a funeral. At the upper end was a table, or rather a species of altar, covered with the same lugubrious colour, on which lay divers objects resembling the usual implements of sorcery. These objects were not indeed visible as they advanced into the apartment; for the light which displayed them, being only that of two expiring lamps, was extremely faint. The master--to use the Italian phrase for persons of this description--approached the upper end of the room, with a genuflection like that of a Catholic to the crucifix, and at the same time crossed himself. The ladies

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Domestic Peace by Honore de Balzac:

sudden light dawned on her mind; she was frightened lest she was the dupe of this old woman, so cunning and so practised in intrigue.

"That perfidious Duchess," said she to herself, "has perhaps been amusing herself by preaching morality to me while playing me some spiteful trick of her own."

At this thought Madame de Vaudremont's pride was perhaps more roused than her curiosity to disentangle the thread of this intrigue. In the absorption of mind to which she was a prey she was no longer mistress of herself. The Colonel, interpreting to his own advantage the embarrassment evident in the Countess' manner and speech, became more ardent and pressing. The old blase diplomates, amusing themselves by

The third excerpt represents the future or something you must embrace, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered. The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the Horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the Horseman suddenly turned into a


The Legend of Sleepy Hollow