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Today's Stichomancy for Jessica Alba

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Emma McChesney & Co. by Edna Ferber:

Emma picked up one of the cards. On it Buck had scribbled a single word: "Movers." Mrs. T. A. Buck smiled. A little malicious gleam came into her eyes.

"Show 'em in here, Annie," she commanded, with a wave of the huge shears. "I'll teach 'em to interrupt me when I've got my hands in the bluing-water."

She bent over the table again, measuring with her keen eye. When the three were ushered in a moment later, she looked up briefly and nodded, then bent over the table again. But in that brief moment she had the three marked, indexed and pigeonholed. If one could have looked into that lightning mind of hers, one would


Emma McChesney & Co.
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

I can honestly say that the fate of my friends concerned me more greatly than did my own.

Beyond the barrier cliffs my party was even now nervously awaiting my return. Presently apprehension and fear would claim them--and they would never know! They would attempt to scale the cliffs--of that I was sure; but I was not so positive that they would succeed; and after a while they would turn back, what there were left of them, and go sadly and mournfully upon their return journey to home. Home! I set my jaws and tried to forget the word, for I knew that I should never again see home.


The People That Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

of passion prompted the artist to acts and words which any woman not so young as Augustine would have ascribed to madness.

At eight o'clock next morning Madame Guillaume, surprising her daughter, found her pale, with red eyes, her hair in disorder, holding a handkerchief soaked with tears, while she gazed at the floor strewn with the torn fragments of a dress and the broken fragments of a large gilt picture-frame. Augustine, almost senseless with grief, pointed to the wreck with a gesture of deep despair.

"I don't know that the loss is very great!" cried the old mistress of the Cat and Racket. "It was like you, no doubt; but I am told that there is a man on the boulevard who paints lovely portraits for fifty

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crowd by Gustave le Bon:

individual to curb. Thus it is that crowds are so easily led into the worst excesses.

Still this does not mean that crowds, skilfully influenced, are not capable of heroism and devotion and of evincing the loftiest virtues; they are even more capable of showing these qualities than the isolated individual. We shall soon have occasion to revert to this point when we come to study the morality of crowds.

Given to exaggeration in its feelings, a crowd is only impressed by excessive sentiments. An orator wishing to move a crowd must make an abusive use of violent affirmations. To exaggerate, to