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Today's Stichomancy for Jessica Alba

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Varieties of Religious Experience by William James:

It was reserved for his successors to convert Kant's notion of Bewusstsein uberhaupt, or abstract consciousness, into an infinite concrete self-consciousness which is the soul of the world, and in which our sundry personal self-consciousnesses have their being. It would lead me into technicalities to show you even briefly how this transformation was in point of fact effected. Suffice it to say that in the Hegelian school, which to-day so deeply influences both British and American thinking, two principles have borne the brunt of the operation.

The first of these principles is that the old logic of identity never gives us more than a post-mortem dissection of disjecta

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrong Box by Stevenson & Osbourne:

forward, impudent, and ignorant young men, and I have quite made up my mind to put an end to the whole business.'.

'O skittles!' said the graceful John.

But Morris was not so easy in his mind. This unusual act of insubordination had already troubled him; and these mutinous words now sounded ominously in his ears. He looked at the old gentleman uneasily. Upon one occasion, many years before, when Joseph was delivering a lecture, the audience had revolted in a body; finding their entertainer somewhat dry, they had taken the question of amusement into their own hands; and the lecturer (along with the board schoolmaster, the Baptist clergyman, and a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

inextricably curly hair, till he had deepened it to a splendidly novel colour, between that of guano and Roman cement, making it stick to his head like mace round a nutmeg, or wet seaweed round a boulder after the ebb. Nothing disturbed the stillness of the cottage save the chatter of a knot of sparrows on the eaves; one might fancy scandal and rumour to be no less the staple topic of these little coteries on roofs than of those under them. It seemed that the omen was an unpropitious one, for, as the rather untoward commence-


Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

church-bells' tolling passed before him like a panorama, while the sharp struggle went on within. This money! He took it out, and looked at it. If he gave it back, what then? He was going to be cool about it.

People going by to church saw only a sickly mill-boy watching them quietly at the alley's mouth. They did not know that he was mad, or they would not have gone by so quietly: mad with hunger; stretching out his hands to the world, that had given so much to them, for leave to live the life God meant him to live. His soul within him was smothering to death; he wanted so much, thought so much, and knew--nothing. There was nothing of which


Life in the Iron-Mills