Today's Stichomancy for Jessica Alba

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pupil by Henry James:

play a singular and, as he imagined, owing to the altogether peculiar conditions, an unprecedented part in his intercourse with his little companion. Later, when he found himself talking with the youngster in a way in which few youngsters could ever have been talked with, he thought of that clumsy moment on the bench at Nice as the dawn of an understanding that had broadened. What had added to the clumsiness then was that he thought it his duty to declare to Morgan that he might abuse him, Pemberton, as much as he liked, but must never abuse his parents. To this Morgan had the easy retort that he hadn't dreamed of abusing them; which appeared to be true: it put Pemberton in the wrong.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Oedipus Trilogy by Sophocles:

Unturned to track the assassin or avenge The son of Labdacus, of Polydore, Of Cadmus, and Agenor first of the race. And for the disobedient thus I pray: May the gods send them neither timely fruits Of earth, nor teeming increase of the womb, But may they waste and pine, as now they waste, Aye and worse stricken; but to all of you, My loyal subjects who approve my acts, May Justice, our ally, and all the gods Be gracious and attend you evermore.

Oedipus Trilogy

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Importance of Being Earnest by Oscar Wilde:

to me that he had a friend called Ernest, I knew I was destined to love you.

JACK. You really love me, Gwendolen?

GWENDOLEN. Passionately!

JACK. Darling! You don't know how happy you've made me.

GWENDOLEN. My own Ernest!

JACK. But you don't really mean to say that you couldn't love me if my name wasn't Ernest?

GWENDOLEN. But your name is Ernest.

JACK. Yes, I know it is. But supposing it was something else? Do you mean to say you couldn't love me then?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

one who spoke for himself, and was not merely a copier from books.' The highest praise that we can give to him is that he tried to revive style as a conscious tradition. But he saw that no amount of art lectures or art congresses, or 'plans for advancing the fine arts,' will ever produce this result. The people, he says very wisely, and in the true spirit of Toynbee Hall, must always have 'the best models constantly before their eyes.'

As is to be expected from one who was a painter, he is often extremely technical in his art criticisms. Of Tintoret's 'St. George delivering the Egyptian Princess from the Dragon,' he remarks:-