| The first excerpt represents the past or something you must release, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain: "Poor doggie--do give it up and come home; DON't break our hearts!"
and all this terrifies me the more, and makes me sure something
has happened. And I am so weak; since yesterday I cannot stand on my
feet anymore. And within this hour the servants, looking toward the
sun where it was sinking out of sight and the night chill coming on,
said things I could not understand, but they carried something cold
to my heart.
"Those poor creatures! They do not suspect. They will come home
in the morning, and eagerly ask for the little doggie that did
the brave deed, and who of us will be strong enough to say the truth
to them: 'The humble little friend is gone where go the beasts
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Journey to the Center of the Earth by Jules Verne: central point from which the light emanated, that shadows no longer
existed. You might have thought yourself under the rays of a vertical
sun in a tropical region at noonday and the height of summer. No
vapour was visible. The rocks, the distant mountains, a few isolated
clumps of forest trees in the distance, presented a weird and
wonderful aspect under these totally new conditions of a universal
diffusion of light. We were like Hoffmann's shadowless man.
After walking a mile we reached the outskirts of a vast forest, but
not one of those forests of fungi which bordered Port Gräuben.
Here was the vegetation of the tertiary period in its fullest blaze
of magnificence. Tall palms, belonging to species no longer living,
 Journey to the Center of the Earth |
The third excerpt represents the future or something you must embrace, and is drawn from Awakening & Selected Short Stories by Kate Chopin: clung about her white skirts, the third she took from its nurse and
with a thousand endearments bore it along in her own fond,
encircling arms. Though, as everybody well knew, the doctor had
forbidden her to lift so much as a pin!
"Are you going bathing?" asked Robert of Mrs. Pontellier. It
was not so much a question as a reminder.
"Oh, no," she answered, with a tone of indecision. "I'm
tired; I think not." Her glance wandered from his face away toward
the Gulf, whose sonorous murmur reached her like a loving but
imperative entreaty.
"Oh, come!" he insisted. "You mustn't miss your bath. Come
 Awakening & Selected Short Stories |