| The first excerpt represents the past or something you must release, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: the next, until the teacher, in despair, sent a nicely printed
note to his mother about him, which might have done some good,
had not Titee taken great pains to tear it up on the way home.
One day it rained, whole bucketsful of water, that poured in
torrents from a miserable, angry sky. Too wet a day for bits of
boys to be trudging to school, so Titee's mother thought; so she
kept him at home to watch the weather through the window,
fretting and fuming like a regular storm in miniature. As the
day wore on, and the rain did not abate, his mother kept a strong
watch upon him, for he tried many times to slip away.
Dinner came and went, and the gray soddenness of the skies
 The Goodness of St. Rocque and Other Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cromwell by William Shakespeare: What fortune brought you to this country now?
FRISKIBALL.
All other parts hath left me succourless,
Save only this. Because of debts I have,
I hope to gain for to relieve my want.
CROMWELL.
Did you not once, upon your Florence bridge,
Help two distressed men, robbed by the Bandetti?--
His name was Cromwell.
FRISKIBALL.
I never made my brain a calendar
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The third excerpt represents the future or something you must embrace, and is drawn from Michael Strogoff by Jules Verne: their robes confined with a cord, and wearing on their heads
instead of the turban, which is forbidden them, little caps
of dark cloth; if with these groups are mingled some hun-
dreds of "kalenders," a sort of religious mendicants,
clothed in rags, covered by a leopard skin, some idea may
be formed of the enormous agglomerations of different
tribes included under the general denomination of the Tar-
tar army.
Nothing could be more romantic than this picture, in
delineating which the most skillful artist would have ex-
hausted all the colors of his palette.
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