| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Affair at Styles by Agatha Christie: After lunch Poirot begged me to accompany him home. I consented
rather stiffly.
"You are annoyed, is it not so?" he asked anxiously, as we walked
through the park.
"Not at all," I said coldly.
"That is well. That lifts a great load from my mind."
This was not quite what I had intended. I had hoped that he
would have observed the stiffness of my manner. Still, the
fervour of his words went towards the appeasing of my just
displeasure. I thawed.
"I gave Lawrence your message," I said.
 The Mysterious Affair at Styles |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac: Gobenheim, restrained his emotion, trying to find means to approach
Modeste and whisper a word of warning in her ear.
By taking a position in front of Madame Mignon, Madame Latournelle,
with the diabolical intelligence of conscientious duty, had isolated
Modeste. Madame Mignon, whose blindness always made her silent, was
even paler than usual, showing plainly that she was aware of the test
to which her daughter was about to be subjected. Perhaps at the last
moment she revolted from the stratagem, necessary as it might seem to
her. Hence her silence; she was weeping inwardly. Exupere, the spring
of the trap, was wholly ignorant of the piece in which he was to play
a part. Gobenheim, by reason of his character, remained in a state of
 Modeste Mignon |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agnes Grey by Anne Bronte: view of the first year or two of my sojourn among them.
To begin with the head: Mr. Murray was, by all accounts, a
blustering, roystering, country squire: a devoted fox-hunter, a
skilful horse-jockey and farrier, an active, practical farmer, and
a hearty BON VIVANT. By all accounts, I say; for, except on
Sundays, when he went to church, I never saw him from month to
month: unless, in crossing the hall or walking in the grounds, the
figure of a tall, stout gentleman, with scarlet cheeks and crimson
nose, happened to come across me; on which occasions, if he passed
near enough to speak, an unceremonious nod, accompanied by a
'Morning, Miss Grey,' or some such brief salutation, was usually
 Agnes Grey |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Amy Foster by Joseph Conrad: maternal instinct and that unaccountable fear.
"Suddenly coming to himself, parched, he de-
manded a drink of water. She did not move. She
had not understood, though he may have thought
he was speaking in English. He waited, looking at
her, burning with fever, amazed at her silence and
immobility, and then he shouted impatiently,
'Water! Give me water!'
"She jumped to her feet, snatched up the child,
and stood still. He spoke to her, and his passion-
ate remonstrances only increased her fear of that
 Amy Foster |