| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deserted Woman by Honore de Balzac: left to the fancy of each individual mind. One day, when M. de Nueil
had been shooting over the lands of Manerville and Valleroy, he
crossed Mme. de Beauseant's park on his way home, summoned Jacques,
and when the man came, asked him, "Whether the Marquise was as fond of
game as ever?"
Jacques answering in the affirmative, Gaston offered him a good round
sum (accompanied by plenty of specious reasoning) for a very little
service. Would he set aside for the Marquise the game that the Count
would bring? It seemed to Jacques to be a matter of no great
importance whether the partridge on which his mistress dined had been
shot by her keeper or by M. de Nueil, especially since the latter
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac: their husbands, and three sons, stupefied with grief. Five little
children on their knees, the oldest not seven years old, unable, no
doubt, to understand what was happening, gazed and listened with the
torpid curiosity that characterizes the peasantry, and is really the
observation of physical things pushed to its highest limit. Lastly,
the poor unmarried sister, imprisoned in the interests of justice, now
released, a martyr to fraternal affection, Denise Tascheron, was
listening to the priest's words with a look that was partly bewildered
and partly incredulous. For her, her brother could not die. She well
represented that one of the Three Marys who did not believe in the
death of Christ, though she was present at the last agony. Pale, with
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chouans by Honore de Balzac: And she motioned towards a small room where a few card-players were
assembled. The marquis followed her. He ventured to hope she had left
the crowd to receive him, and this supposed favor roused his passion
to extreme violence; for his love had only increased through the
resistance he had made to it during the last few days. Mademoiselle de
Verneuil still tormented him; her eyes, so soft and velvety for the
count, were hard and stern when, as if by accident, they met his.
Montauran at last made a painful effort and said, in a muffled voice,
"Will you never forgive me?"
"Love forgives nothing, or it forgives all," she said, coldly. "But,"
she added, noticing his joyful look, "it must be love."
 The Chouans |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry: reconciliation. There is no longer any room for hope. If we wish to be free--
if we mean to preserve inviolate those inestimable privileges for which
we have been so long contending--if we mean not basely to abandon the noble
struggle in which we have been so long engaged, and which we have pledged
ourselves never to abandon until the glorious object of our contest
shall be obtained--we must fight! I repeat it, sir, we must fight!
An appeal to arms and to the God of hosts is all that is left us!
They tell us, sir, that we are weak; unable to cope with so formidable
an adversary. But when shall we be stronger? Will it be the next week,
or the next year? Will it be when we are totally disarmed, and when a British
guard shall be stationed in every house? Shall we gather strength but
|