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Today's Stichomancy for Jim Jones

The first excerpt represents the past or something you must release, and is drawn from Animal Farm by George Orwell:

for the windmill. Then there were lamp oil and candles for the house, sugar for Napoleon's own table (he forbade this to the other pigs, on the ground that it made them fat), and all the usual replacements such as tools, nails, string, coal, wire, scrap-iron, and dog biscuits. A stump of hay and part of the potato crop were sold off, and the contract for eggs was increased to six hundred a week, so that that year the hens barely hatched enough chicks to keep their numbers at the same level. Rations, reduced in December, were reduced again in February, and lanterns in the stalls were forbidden to save oil. But the pigs seemed comfortable enough, and in fact were putting on weight if anything. One afternoon in late February a warm, rich, appetising scent, such as the animals had never


Animal Farm
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Legend of Montrose by Walter Scott:

mentioned among them.

[Milton's book, entitled TETRACHORDON, had been ridiculed, it would seem, by the divines assembled at Westminster, and others, on account of the hardness of the title; and Milton in his sonnet retaliates upon the barbarous Scottish names which the Civil War had made familiar to English ears:--

-- why is it harder, sirs, than Gordon, COLKITTO or M'Donald, or Gallasp? These rugged names to our like mouths grow sleek, That would have made Quintillian stare and gasp.

"We may suppose," says Bishop Newton, "that these were persons of

The third excerpt represents the future or something you must embrace, and is drawn from Moran of the Lady Letty by Frank Norris:

our dear friend Jim makes a present of and no charge, because he loves you so. You're allowed two minutes to change, an' it is to be hoped as how you won't force me to come for to assist."

It would have been interesting to have followed, step by step, the mental process that now took place in Ross Wilbur's brain. The Captain had given him two minutes in which to change. The time was short enough, but even at that Wilbur changed more than his clothes during the two minutes he was left to himself in the reekind dark of the schooner's fo'castle. It was more than a change--it was a revolution. What he made up his mind to do-- precisely what mental attitude he decided to adopt, just what new