| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Crito by Plato: CRITO: He knows me because I often come, Socrates; moreover. I have done
him a kindness.
SOCRATES: And are you only just arrived?
CRITO: No, I came some time ago.
SOCRATES: Then why did you sit and say nothing, instead of at once
awakening me?
CRITO: I should not have liked myself, Socrates, to be in such great
trouble and unrest as you are--indeed I should not: I have been watching
with amazement your peaceful slumbers; and for that reason I did not awake
you, because I wished to minimize the pain. I have always thought you to
be of a happy disposition; but never did I see anything like the easy,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: These things, said indiscriminately to all and sundry, of course do not
help him at all, and the rector, and Finley, and Burroughs all think it
would be as well if the man left the place.
I asked him fit was true that he entertained ladies down at the
cottage, and all he said was: 'Why, what's that to you, Sir Clifford?'
I told him I intended to have decency observed on my estate, to which
he replied: 'Then you mun button the mouths o' a' th' women.'--When I
pressed him about his manner of life at the cottage, he said: 'Surely
you might ma'e a scandal out o' me an' my bitch Flossie. You've missed
summat there.' As a matter of fact, for an example of impertinence he'd
be hard to beat.
 Lady Chatterley's Lover |