| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber: one, too. But I'm not a genius, and I never will be. And I
guess you've got to be a genius, these days, to keep up. It
used to be enough for an infants' wear buyer to know
muslins, cottons, woolens, silks, and embroideries. But
that's old-fashioned now. These days, when you hire an
office boy you don't ask him if he can read and write. You
tell him he's got to have personality, magnetism, and
imagination. Makes me sick!"
The Baby Book came off the presses and it was good. Even
Slosson admitted it, grudgingly. The cover was a sunny,
breezy seashore picture, all blue and gold, with plump,
 Fanny Herself |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James: here that DOES seem my kind. Oh I don't say but what there are plenty
of pretty places and remarkable old things; but the trouble is that I
don't seem to feel anywhere in tune. That's one of the reasons why I
suppose I've gained so little. I haven't had the first sign of that
lift I was led to expect." With this he broke out more earnestly.
"Look here--I want to go back."
His eyes were all attached to Strether's now, for he was one of the
men who fully face you when they talk of themselves. This enabled
his friend to look at him hard and immediately to appear to the
highest advantage in his eyes by doing so. "That's a genial thing
to say to a fellow who has come out on purpose to meet you!"
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato: the rubbing and motion only relieves the surface, and does not reach the
parts affected; then if you put them to the fire, and as a last resort
apply cold to them, you may often produce the most intense pleasure or pain
in the inner parts, which contrasts and mingles with the pain or pleasure,
as the case may be, of the outer parts; and this is due to the forcible
separation of what is united, or to the union of what is separated, and to
the juxtaposition of pleasure and pain.
PROTARCHUS: Quite so.
SOCRATES: Sometimes the element of pleasure prevails in a man, and the
slight undercurrent of pain makes him tingle, and causes a gentle
irritation; or again, the excessive infusion of pleasure creates an
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville: in such a prodigious hurry, they run away from each other as soon as
possible. And as for Pirates, when they chance to cross each other's
cross-bones, the first hail is--"How many skulls?"--the same way that
whalers hail--"How many barrels?" And that question once answered,
pirates straightway steer apart, for they are infernal villains on
both sides, and don't like to see overmuch of each other's villanous
likenesses.
But look at the godly, honest, unostentatious, hospitable, sociable,
free-and-easy whaler! What does the whaler do when she meets another
whaler in any sort of decent weather? She has a "GAM," a thing so
utterly unknown to all other ships that they never heard of the name
 Moby Dick |