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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life on the Mississippi by Mark Twain:

Other men were continually lifting out boxes whose contents had become hard frozen. They gave the box a single dip into a vat of boiling water, to melt the block of ice free from its tin coffin, then they shot the block out upon a platform car, and it was ready for market. These big blocks were hard, solid, and crystal-clear. In certain of them, big bouquets of fresh and brilliant tropical flowers had been frozen-in; in others, beautiful silken-clad French dolls, and other pretty objects. These blocks were to be set on end in a platter, in the center of dinner-tables, to cool the tropical air; and also to be ornamental, for the flowers and things imprisoned in them could be seen as through plate glass. I was told that this factory could retail its ice, by wagon,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

the towns which lie more towards the centre of the county, in my return by the north and west part only, that I may give you a few hints of some towns which were near me in my route this way, and of which being so well known there is but little to say.

On the road from London to Colchester, before I came into it at Witham, lie four good market towns at equal distance from one another, namely, Romford, noted for two markets, viz., one for calves and hogs, the other for corn and other provisions, most, if not all, bought up for London market. At the farther end of the town, in the middle of a stately park, stood Guldy Hall, vulgarly Giddy Hall, an ancient seat of one Coke, sometime Lord Mayor of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

the pasture, and held a last talk with his pony, brushing the cakes of mud from his hide where he had rolled, and passing a lingering hand over his mane. As the sounds of the morning came increasingly from tree and plain, Shorty glanced back to see that no one was yet out of the cabin, and then put his arms round the horse's neck, laying his head against him. For a moment the cowboy's insignificant face was exalted by the emotion he would never have let others see. He hugged tight this animal, who was dearer to his heart than anybody in the world.

"Good-by, Pedro," he said--"good-by." Pedro looked for bread.

"No," said his master, sorrowfully, "not any more. Yu' know well


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Tom Sawyer by Mark Twain:

lopped out of its brim; his coat, when he wore one, hung nearly to his heels and had the rearward buttons far down the back; but one suspender supported his trousers; the seat of the trousers bagged low and con- tained nothing, the fringed legs dragged in the dirt when not rolled up.

Huckleberry came and went, at his own free will. He slept on doorsteps in fine weather and in empty hogsheads in wet; he did not have to go to school or to church, or call any being master or obey anybody; he could go fishing or swimming when and where he


The Adventures of Tom Sawyer