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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

a great, undulating raft, filling up the whole river, and extending almost to the Kentucky shore.

Eliza stood, for a moment, contemplating this unfavorable aspect of things, which she saw at once must prevent the usual ferry-boat from running, and then turned into a small public house on the bank, to make a few inquiries.

The hostess, who was busy in various fizzing and stewing operations over the fire, preparatory to the evening meal, stopped, with a fork in her hand, as Eliza's sweet and plaintive voice arrested her.

"What is it?" she said.


Uncle Tom's Cabin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plutarch's Lives by A. H. Clough:

he made a settlement with Greece, and distributed what remained of the provision of corn that Antony had made for his army among the cities, which were in a miserable condition, despoiled of their money, their slaves, their horses, and beasts of service. My great-grandfather Nicarchus used to relate, that the whole body of the people of our city were put in requisition to carry each one a certain measure of corn upon their shoulders to the sea-side near Anticyra, men standing by to quicken them with the lash. They had made one journey of the kind, but when they had just measured out the corn and were putting it on their backs for a second, news came of Antony's defeat, and so saved

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac:

gratified a wish that was new every morning, by sparing himself a long walk, and the loss of much time, now more valuable than ever.

No man in the world would have inspired feelings of greater interest than Hippolyte Schinner if he would ever have consented to make acquaintance; but he did not lightly entrust to others the secrets of his life. He was the idol of a necessitous mother, who had brought him up at the cost of the severest privations. Mademoiselle Schinner, the daughter of an Alsatian farmer, had never been married. Her tender soul had been cruelly crushed, long ago, by a rich man, who did not pride himself on any great

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

he went. In the room from which the conversation proceeded, Bathsheba and her servant-companion, Liddy Small- bury were to be discovered sitting upon the floor, and sorting a complication of papers, books, bottles, and rubbish spread out thereon -- remnants from the house- hold stores of the late occupier. Liddy, the maltster's great-granddaughter, was about Bathsheba's equal in age, and her face was a prominent advertisement of the features' might have lacked in form was amply made up for by perfection of hue, which at this winter-time was


Far From the Madding Crowd