| The first excerpt represents the past or something you must release, and is drawn from Around the World in 80 Days by Jules Verne: of the night, and crossed the Tropic of Cancer. The sea was very
rough in the straits, full of eddies formed by the counter-currents,
and the chopping waves broke her course, whilst it became very difficult
to stand on deck.
At daybreak the wind began to blow hard again, and the heavens
seemed to predict a gale. The barometer announced a speedy change,
the mercury rising and falling capriciously; the sea also,
in the south-east, raised long surges which indicated a tempest.
The sun had set the evening before in a red mist,
in the midst of the phosphorescent scintillations of the ocean.
John Bunsby long examined the threatening aspect of the heavens,
 Around the World in 80 Days |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heart of the West by O. Henry: from which a mid-summer madness had ravished its proprietor. The
driver and two of the passengers began to unhitch. Judge Menefee
opened the door of the coach, and removed his hat.
"I have to announce, Miss Garland," said he, "the enforced suspension
of our journey. The driver asserts that the risk in travelling the
mountain road by night is too great even to consider. It will be
necessary to remain in the shelter of this house until morning. I beg
that you will feel that there is nothing to fear beyond a temporary
inconvenience. I have personally inspected the house, and find that
there are means to provide against the rigour of the weather, at
least. You shall be made as comfortable as possible. Permit me to
 Heart of the West |
The third excerpt represents the future or something you must embrace, and is drawn from Bucky O'Connor by William MacLeod Raine: "Scared stiff, but game," was his mental comment.
"Gents to the right and ladies to the left; line up against the
walls; everybody waltz." called the man behind the guns, with
grim humor.
The passengers fell into line as directed, Collins with the rest.
"You're calling this dance, son; it's your say-so, I guess," he
conceded.
"Keep still, or I'll shoot you full of holes," growled the
autocrat of the artillery.
"Why, sure! Ain't you the real thing in Jesse Jameses?" soothed
the sheriff.
|