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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Tulip by Alexandre Dumas:

speculation. Van Baerle, as soon as the idea had once taken root in his clear and ingenious mind, began slowly the necessary planting and cross-breeding to reduce the tulips which he had grown already from red to brown, and from brown to dark brown.

By the next year he had obtained flowers of a perfect nut-brown, and Boxtel espied them in the border, whereas he had himself as yet only succeeded in producing the light brown.

It might perhaps be interesting to explain to the gentle reader the beautiful chain of theories which go to prove


The Black Tulip
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reason Discourse by Rene Descartes:

reality existent; but it plainly tells us that all our ideas or notions contain in them some truth; for otherwise it could not be that God, who is wholly perfect and veracious, should have placed them in us. And because our reasonings are never so clear or so complete during sleep as when we are awake, although sometimes the acts of our imagination are then as lively and distinct, if not more so than in our waking moments, reason further dictates that, since all our thoughts cannot be true because of our partial imperfection, those possessing truth must infallibly be found in the experience of our waking moments rather than in that of our dreams.

PART V

I would here willingly have proceeded to exhibit the whole chain of truths


Reason Discourse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The First Men In The Moon by H. G. Wells:

saw indistinctly through a crowd of swaying stems the mooncalf's shining sides, and the long line of its back loomed out against the sky.

Of course it is hard for me now to say how much I saw at that time, because my impressions were corrected by subsequent observation. First of all impressions was its enormous size; the girth of its body was some fourscore feet, its length perhaps two hundred. Its sides rose and fell with its laboured breathing. I perceived that its gigantic, flabby body lay along the ground, and that its skin was of a corrugated white, dappling into blackness along the backbone. But of its feet we saw nothing. I think also that we saw then the profile at least of the almost brainless head, with its fat-encumbered neck, its slobbering omnivorous


The First Men In The Moon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

the mind of Fleeming that train of tender and grateful thought, which was like a preparation for his own. Already I find him writing in the plural of 'these impending deaths'; already I find him in quest of consolation. 'There is little pain in store for these wayfarers,' he wrote, 'and we have hope - more than hope, trust.'

On May 19, 1884, Mr. Austin was taken. He was seventy-eight years of age, suffered sharply with all his old firmness, and died happy in the knowledge that he had left his wife well cared for. This had always been a bosom concern; for the Barrons were long-lived and he believed that she would long survive him. But their union