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Today's Stichomancy for Joel Grey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

but here in Oz they consider Chiss an evil spirit. He's different from a reg'lar porcupine, because he can throw his quills in any direction, which an American porcupine cannot do. That's what makes old Chiss so dangerous. If we get too near, he'll fire those quills at us and hurt us badly."

"Then we will be foolish to get too near, said Scraps.

"I'm not afraid," declared the Woozy. "The Chiss is cowardly, I'm sure, and if it ever heard my


The Patchwork Girl of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from God The Invisible King by H. G. Wells:

is the common prelude known to many sorts of Christian as "conviction of sin"; it is, at any rate, a conviction of hopeless confusion. . . . Then in some way the idea of God comes into the distressed mind, at first simply as an idea, without substance or belief. It is read about or it is remembered; it is expounded by some teacher or some happy convert. In the case of all those of the new faith with whose personal experience I have any intimacy, the idea of God has remained for some time simply as an idea floating about in a mind still dissatisfied. God is not believed in, but it is realised that if there were such a being he would supply the needed consolation and direction, his continuing purpose would knit

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

in every assemblage there are sharply defined lines of difference. There are those who are going home soon, God willing; there are those who will go home some time after long days and longer nights. And there are those who will never go home and who know it. And because of this the ones who are never going home are most festively clad, as if, by way of compensation, the nurses mean to give them all future Christmasses in one. They receive an extra orange, or a pair of gloves, perhaps,--and they are not the less grateful because they understand. And when everything is over they lay away in the bedside stand the gloves they will never wear, and divide the extra orange with a less

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

of speaking as he likes. But Alcibiades answers that the two cases are not parallel. For Socrates admits his inability to speak long; will Protagoras in like manner acknowledge his inability to speak short?

Counsels of moderation are urged first in a few words by Critias, and then by Prodicus in balanced and sententious language: and Hippias proposes an umpire. But who is to be the umpire? rejoins Socrates; he would rather suggest as a compromise that Protagoras shall ask and he will answer, and that when Protagoras is tired of asking he himself will ask and Protagoras shall answer. To this the latter yields a reluctant assent.

Protagoras selects as his thesis a poem of Simonides of Ceos, in which he professes to find a contradiction. First the poet says,