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Today's Stichomancy for John Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Far From the Madding Crowd by Thomas Hardy:

the idea of marriage in the abstract as did the majority of women she saw about her. In the turmoil of her anxiety for her lover she had agreed to marry him; but the perception that had accompanied her happiest hours on this account was rather that of self-sacrifice than of promotion and honour. Although she scarcely knew the divinity's name, Diana was the goddess whom Bathsheba instinctively adored. That she had never, by look, word, or sign, encouraged a man to approach her -- that she had felt herself sufficient to herself, and had in the independence of her girlish heart fancied


Far From the Madding Crowd
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

But we have not as yet touched on the climax of the difficulty; namely, the fact that the neuters of several ants differ, not only from the fertile females and males, but from each other, sometimes to an almost incredible degree, and are thus divided into two or even three castes. The castes, moreover, do not generally graduate into each other, but are perfectly well defined; being as distinct from each other, as are any two species of the same genus, or rather as any two genera of the same family. Thus in Eciton, there are working and soldier neuters, with jaws and instincts extraordinarily different: in Cryptocerus, the workers of one caste alone carry a wonderful sort of shield on their heads, the use of which is quite unknown: in the Mexican Myrmecocystus, the workers of one caste never


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from One Basket by Edna Ferber:

shrunken and faded with years and labor. As the girl minced across the room in her absurdly high-heeled shoes, the older woman thought: My, but she's pretty! But she said aloud: "I should think you'd stay home once in a while and not be runnin' the streets every night."

"Time enough to be sittin' home when I'm old like you."

And yet between these two there was love, and even understanding.

But in families such as Tessie's, demonstration is a thing to be ashamed of; affection a thing to conceal. Tessie's father was janitor of the Chippewa High School. A powerful man, slightly crippled by rheumatism, loquacious, lively, fond of his family,


One Basket
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bureaucracy by Honore de Balzac:

judging; he had criticised effects and done nothing for causes; his head was full of plans such as a political party lays upon the shoulders of a leader,--matters of private interest brought to an orator supposed to have a future, a jumble of schemes and impractical requests. Far from coming fresh to his work, he was wearied out with marching and counter-marching, and when he finally reached the much desired height of his present position, he found himself in a thicket of thorny bushes with a thousand conflicting wills to conciliate. If the statesmen of the Restoration had been allowed to follow out their own ideas, their capacity would doubtless have been criticised; but though their wills were often forced, their age saved them from