Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for John Carpenter

The first excerpt represents the past or something you must release, and is drawn from Extracts From Adam's Diary by Mark Twain:

her, as she is such a numskull anyway; so she got a lot of them out and brought them in last night and put them in my bed to keep warm, but I have noticed them now and then all day, and I don't see that they are any happier there than they were before, only quieter. When night comes I shall throw them out-doors. I will not sleep with them again, for I find them clammy and unpleasant to lie among when a person hasn't anything on.

Sunday

Pulled through.

Tuesday

She has taken up with a snake now. The other animals are glad,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Scarecrow of Oz by L. Frank Baum:

because he was not rude and never tried to plague her. Cap'n Bill liked him because he had found the boy cheerful and brave at all times, and willing to do anything he was asked to do.

When they came to the house Trot sniffed the air and asked "Don't I smell perfume?"

"I think you do," said the Bumpy Man. "You smell violets, and that proves there is a breeze springing up from the south. All our winds and breezes are perfumed and for that reason we are glad to have them blow in our direction. The south breeze always has a violet odor; the


The Scarecrow of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Art of Writing by Robert Louis Stevenson:

all, the one excuse and breath of art - charm. A little further, and he will regard charm in the light of an unworthy sacrifice to prettiness, and the omission of a tedious passage as an infidelity to art.

We have now the matter of this difference before us. The idealist, his eye singly fixed upon the greater outlines, loves rather to fill up the interval with detail of the conventional order, briefly touched, soberly suppressed in tone, courting neglect. But the realist, with a fine intemperance, will not suffer the presence of anything so dead as a convention; he shall have all fiery, all hot-