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Today's Stichomancy for John Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams by Olive Schreiner:

pavement; sometimes an old woman goes past with a bundle of weeds upon her head, or a brigand-looking man hurries by with a bundle of sticks in his hand; but for the rest the Chapel lies here alone upon the promontory, between the two bays and hears the sea break at its feet.

I came here one winter's day when the midday sun shone hot on the bricks of the Roman road. I was weary, and the way seemed steep. I walked into the chapel to the broken window, and looked out across the bay. Far off, across the blue, blue water, were towns and villages, hanging white and red dots, upon the mountain-sides, and the blue mountains rose up into the sky, and now stood out from it and now melted back again.

The mountains seemed calling to me, but I knew there would never be a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

whip cracking like a pistol; and as they charged upon that slumbering hostelry, each shepherding a dust storm, the dead place blossomed into life and talk and clatter. This the Toll House? - with its city throng, its jostling shoulders, its infinity of instant business in the bar? The mind would not receive it! The heartfelt bustle of that hour is hardly credible; the thrill of the great shower of letters from the post-bag, the childish hope and interest with which one gazed in all these strangers' eyes. They paused there but to pass: the blue-clad China-boy, the San Francisco magnate, the mystery in the dust coat, the secret memoirs in tweed, the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Whirligigs by O. Henry:

figure, disclosing long, amber-coloured fangs.

"Is that him? Why, that's the man who sent me to the penitentiary once!"

"He used to be district attorney," said Goree care- lessly. "And, by the way, he's a first-class shot."

"I kin hit a squirrel's eye at a hundred yard," said Garvey. "So that thar's Coltrane! I made a better trade than I was thinkin'. I'll take keer ov this feud, Mr. Goree, better'n you ever did!"

He moved toward the door, but lingered there, betray- ing a slight perplexity.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from From the Earth to the Moon by Jules Verne:

would he be so good as to return to his subject, and give us a little practical view of the question?"

All eyes were directed toward the person who spoke. He was a little dried-up man, of an active figure, with an American "goatee" beard. Profiting by the different movements in the crowd, he had managed by degrees to gain the front row of spectators. There, with arms crossed and stern gaze, he watched the hero of the meeting. After having put his question he remained silent, and appeared to take no notice of the thousands of looks directed toward himself, nor of the murmur of disapprobation excited by his words. Meeting at first with no reply, he repeated his


From the Earth to the Moon