Today's Stichomancy for John Cleese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dream Life and Real Life by Olive Schreiner:

She dreamed a beautiful dream. She thought that when she went back to the farmhouse in the evening, the walls were covered with vines and roses, and the kraals were not made of red stone, but of lilac trees full of blossom. And the fat old Boer smiled at her; and the stick he held across the door, for the goats to jump over, was a lily rod with seven blossoms at the end. When she went to the house her mistress gave her a whole roaster-cake for her supper, and the mistress's daughter had stuck a rose in the cake; and her mistress's son-in-law said, "Thank you!" when she pulled off his boots, and did not kick her.

It was a beautiful dream.

While she lay thus dreaming, one of the little kids came and licked her on

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great God Pan by Arthur Machen:

who lives in Ashley Street, Piccadilly. I saw her entering a house in one of the meanest and most disreputable streets in Soho. In fact, I had made an appointment, though not with her, and she was precise to both time and place."

"All this seems very wonderful, but I cannot call it incredible. You must remember, Villiers, that I have seen this woman, in the ordinary adventure of London society, talking and laughing, and sipping her coffee in a commonplace drawing-room with commonplace people. But you know what you are saying."

"I do; I have not allowed myself to be led by surmises or fancies. It was with no thought of finding Helen Vaughan

The Great God Pan

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

carefully and not to be ready to accept what is plausible in place of what is true. He is to be no bookworm living aloof from the experiences of the world in the artificial isolation of a university town, but a politician, a soldier, and a traveller, a man not merely of thought but of action, one who can do great things as well as write of them, who in the sphere of history could be what Byron and AEschylus were in the sphere of poetry, at once LE CHANTRE ET LE HEROS.

He is to keep before his eyes the fact that chance is merely a synonym for our ignorance; that the reign of law pervades the domain of history as much as it does that of political science. He

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac:

of the young girl, who had grown pale and thin.

"Good heavens! what is the matter?" he asked her, after greeting the Baroness.

Adelaide made no reply, but she gave him a look of deep melancholy, a sad, dejected look, which pained him.

"You have, no doubt, been working hard," said the old lady. "You are altered. We are the cause of your seclusion. That portrait had delayed some pictures essential to your reputation."

Hippolyte was glad to find so good an excuse for his rudeness.

"Yes," he said, "I have been very busy, but I have been suffering----"