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Today's Stichomancy for John D. Rockefeller

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

Renew, and coin themselves new griefs again.

II.

O, Death, we come full-handed to thy gate, Rich with strange burden of the mingled years, Gains and renunciations, mirth and tears, And love's oblivion, and remembering hate, Nor know we what compulsion laid such freight Upon our souls--and shall our hopes and fears Buy nothing of thee, Death? Behold our wares, And sell us the one joy for which we wait. Had we lived longer, life had such for sale,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson:

room, and at last, hidden away among her jewels, found the damning evidence. There he stood, holding this thing, which was his life, in the hollow of his hand, and marvelling at her inconsequent behaviour, that she should seek, and keep, and yet not use it; and then the door opened, and behold herself. So, once more, they stood, eye to eye, with the evidence between them; and once more she raised to him a face brimming with some communication; and once more he shied away from speech and cut her off. But before he left the room, which he had turned upside down, he laid back his death- warrant where he had found it; and at that, her face lighted up. The next thing he heard, she was explaining to her maid, with some

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

DEDICATION

To Monsieur Guyonnet-Merville.

Is it not a necessity to explain to a public curious to know everything, how I came to be sufficiently learned in the law to carry on the business of my little world? And in so doing, am I not bound to put on record the memory of the amiable and intelligent man who, meeting the Scribe (another clerk-amateur) at a ball, said, "Just give the office a turn; there is work for you there, I assure you"? But do you need this public testimony to feel assured of the affection of the writer?

DE BALZAC.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

Lancaster house. Her husband and grandson were the man and boy at work in the grounds. The three sisters took care of themselves and their house with the elegant ease and lack of fluster of gentlewomen born and bred. Miss Amelia, bringing in the tea-tray, was an unclassed being, neither maid nor mistress, but outranking either. She had tied on a white apron. She bore the silver tray with an ease which bespoke either nerve or muscle in her lace-draped arms.

She poured the tea, holding the silver pot high and letting the amber fluid trickle slowly, and the pearls and diamonds on her thin hands shone dully. Sophia passed little china plates and