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Today's Stichomancy for John Dillinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Emma McChesney & Co. by Edna Ferber:

intervals all week, and on Sunday get 'em all out and play solitaire with them."

Emma McChesney's smile widened frankly to a grin.

"You make me feel like a cash-girl who's been caught flirting with the elevator starter. Have I been neglecting business?"

"Business? No; you've been neglecting me!"

"Now, T. A., you've just come from the tailor's, and I suppose it didn't fit in the back."

"It isn't that," interrupted Buck, "and you know it. Look here! That day Jock went away and we came back to the office, and you said----"


Emma McChesney & Co.
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Shadow Line by Joseph Conrad:

conditions of her being. The shore to which she was moored was as if it did not exist. What were to me all the countries of the globe? In all the parts of the world washed by navigable waters our relation to each other would be the same--and more intimate than there are words to express in the language. Apart from that, every scene and episode would be a mere passing show. The very gang of yellow coolies busy about the main hatch was less substantial than the stuff dreams are made of. For who on earth would dream of Chinamen? . . .


The Shadow Line
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love Songs by Sara Teasdale:

That Pierrot loves his music, -- But I love Pierrot.

Wild Asters

In the spring I asked the daisies If his words were true, And the clever, clear-eyed daisies Always knew.

Now the fields are brown and barren, Bitter autumn blows, And of all the stupid asters Not one knows.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Babbitt by Sinclair Lewis:

learnings he was as strict a Presbyterian and as firm a Republican as George F. Babbitt. He confirmed the business men in the faith. Where they knew only by passionate instinct that their system of industry and manners was perfect, Dr. Howard Littlefield proved it to them, out of history, economics, and the confessions of reformed radicals.

Babbitt had a good deal of honest pride in being the neighbor of such a savant, and in Ted's intimacy with Eunice Littlefield. At sixteen Eunice was interested in no statistics save those regarding the ages and salaries of motion-picture stars, but--as Babbitt definitively put it--"she was her father's daughter."

The difference between a light man like Sam Doppelbrau and a really fine