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Today's Stichomancy for John Dillinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Passionate Pilgrim by William Shakespeare:

For why I craved nothing of thee still: O yes, dear friend, I pardon crave of thee, Thy discontent thou didst bequeath to me.

XI.

Venus, with young Adonis sitting by her Under a myrtle shade, began to woo him: She told the youngling how god Mars did try her, And as he fell to her, so fell she to him. 'Even thus,' quoth she, 'the warlike god embraced me,' And then she clipp'd Adonis in her arms; 'Even thus,' quoth she, 'the warlike god unlaced me,'

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Extracts From Adam's Diary by Mark Twain:

GARDEN-OF-EDEN. Privately, I continue to call it that, but not any longer publicly. The new creature says it is all woods and rocks and scenery, and therefore has no resemblance to a garden. Says it looks like a park, and does not look like anything but a park. Consequently, without consulting me, it has been new-named-- NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to me. And already there is a sign up:

KEEP OFF THE GRASS

My life is not as happy as it was.

Saturday

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle Book by Rudyard Kipling:

something alive in the undergrowth, the scratch and squawk of a half-waked bird (birds are awake in the night much more often than we imagine), and the fall of water ever so far away. Little Toomai slept for some time, and when he waked it was brilliant moonlight, and Kala Nag was still standing up with his ears cocked. Little Toomai turned, rustling in the fodder, and watched the curve of his big back against half the stars in heaven, and while he watched he heard, so far away that it sounded no more than a pinhole of noise pricked through the stillness, the "hoot-toot" of a wild elephant.

All the elephants in the lines jumped up as if they had been


The Jungle Book
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma by Jane Austen:

every possible moment for darting his eye towards it, and it was not long before he saw it to be Dixon. Jane Fairfax's perception seemed to accompany his; her comprehension was certainly more equal to the covert meaning, the superior intelligence, of those five letters so arranged. She was evidently displeased; looked up, and seeing herself watched, blushed more deeply than he had ever perceived her, and saying only, "I did not know that proper names were allowed," pushed away the letters with even an angry spirit, and looked resolved to be engaged by no other word that could be offered. Her face was averted from those who had made the attack, and turned towards her aunt.


Emma