| The first excerpt represents the past or something you must release, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe: perfectly-formed shapes, while the heart of the reader beats and
grows faint, as did that of the happy Gaspard Debaran, the clown,
who, when on the highest step of his ladder, was enabled to peep
into the Seraglio of Constantinople--that recess concealed from
the inspection of man. Sometimes also the reader may imagine
himself indolently stretched on a carpet of Persian softness,
luxuriously smoking the yellow tobacco of Turkistan through a
long tube of jessamine and amber, while a black slave fans him
with a fan of peacock's feathers, and a little boy presents him
with a cup of genuine Mocha. Goethe has put these enchanting and
voluptuous customs into poetry, and his verses are so perfect, so
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from To the Lighthouse by Virginia Woolf: through every night, was what Rose liked best, she knew. She had some
hidden reason of her own for attaching great importance to this
choosing what her mother was to wear. What was the reason, Mrs Ramsay
wondered, standing still to let her clasp the necklace she had chosen,
divining, through her own past, some deep, some buried, some quite
speechless feeling that one had for one's mother at Rose's age. Like
all feelings felt for oneself, Mrs Ramsay thought, it made one sad. It
was so inadequate, what one could give in return; and what Rose felt
was quite out of proportion to anything she actually was. And Rose
would grow up; and Rose would suffer, she supposed, with these deep
feelings, and she said she was ready now, and they would go down, and
 To the Lighthouse |
The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy: so fell out as to deny you to me."
"I, too, am very sorry." she said, and then checked
herself. "I mean, you know, I am sorry you thought
I -- "
"I have always this dreary pleasure in thinking over
those past times with you -- that I was something to
you before HE was anything, and that you belonged
ALMOST to me. But, of course, that's nothing. You
never liked me."
"I did; and respected you, too."Do you now?"
"Yes."
 Far From the Madding Crowd |