| The first excerpt represents the past or something you must release, and is drawn from Men of Iron by Howard Pyle: thou hast had enough."
"By heavens!" cried Myles, grinding his teeth, "thou shalt fight
me, thou coward! Thou hast brought this fight upon us, and either
thou or I get our quittance here. Let go, Gascoyne!" he cried,
shaking loose his friend's hold; "I tell thee he shall fight me!"
From that moment Blunt began to lose his head. No doubt he had
not thought of such a serious fight as this when he had given his
challenge, and there was a savage bull-dog tenacity about Myles
that could not but have had a somewhat demoralizing effect upon
him.
A few blows were given and taken, and then Myles's friends gave a
 Men of Iron |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Door in the Wall, et. al. by H. G. Wells: thence sprang a cavernous roof of the universe, from which the dew
and the avalanches fell; and when he maintained stoutly the world
had neither end nor roof such as they supposed, they said his
thoughts were wicked. So far as he could describe sky and clouds
and stars to them it seemed to them a hideous void, a terrible
blankness in the place of the smooth roof to things in which they
believed--it was an article of faith with them that the cavern roof
was exquisitely smooth to the touch. He saw that in some manner he
shocked them, and gave up that aspect of the matter altogether, and
tried to show them the practical value of sight. One morning he
saw Pedro in the path called Seventeen and coming towards the
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The third excerpt represents the future or something you must embrace, and is drawn from 1984 by George Orwell: control'. In Newspeak it is called DOUBLETHINK, though DOUBLETHINK
comprises much else as well.
DOUBLETHINK means the power of holding two contradictory beliefs in one's
mind simultaneously, and accepting both of them. The Party intellectual
knows in which direction his memories must be altered; he therefore knows
that he is playing tricks with reality; but by the exercise of DOUBLETHINK
he also satisfies himself that reality is not violated. The process has to
be conscious, or it would not be carried out with sufficient precision,
but it also has to be unconscious, or it would bring with it a feeling of
falsity and hence of guilt. DOUBLETHINK lies at the very heart of Ingsoc,
since the essential act of the Party is to use conscious deception while
 1984 |