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Today's Stichomancy for John F. Kennedy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

our societies. It is the swimmer who first leaps into the frozen stream who is cut sharpest by the ice; those who follow him find it broken, and the last find it gone. It is the man or woman who first treads down the path which the bulk of humanity will ultimately follow, who must find themselves at last in solitudes where the silence is deadly. The fact that any course of human action leading to adjustment, leads also to immediate suffering, by dividing the individual from the bulk of his fellows; is no argument against it; that solitude and suffering is the crown of thorns which marks the kingship of earth's Messiahs: it is the mark of the leader.

Thus, social disco-ordination, and subjective conflict and suffering,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

handsome offer. A hundred francs per month! Think of it! After all, a romance in a drawer is not eating its head off like a horse in a stable, nor will it find you in victuals either, and that's a fact."

Lucien snatched up his manuscript and dashed it on the floor.

"I would rather burn it, sir!" he exclaimed.

"You have a poet's head," returned his senior.

Lucien devoured his bread and supped his bowl of milk, then he went downstairs. His room was not large enough for him; he was turning round and round in it like a lion in a cage at the Jardin des Plantes.

At the Bibliotheque Saint-Genevieve, whither Lucien was going, he had come to know a stranger by sight; a young man of five-and-twenty or

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sarrasine by Honore de Balzac:

superannuated splendor, that display of treasure, of great intrinsic worth, but utterly without taste, served to bring out in still bolder relief the strange creature's face. The frame was worthy of the portrait. That dark face was full of angles and furrowed deep in every direction; the chin was furrowed; there were great hollows at the temples; the eyes were sunken in yellow orbits. The maxillary bones, which his indescribable gauntness caused to protrude, formed deep cavities in the centre of both cheeks. These protuberances, as the light fell upon them, caused curious effects of light and shadow which deprived that face of its last vestige of resemblance to the human countenance. And then, too, the lapse of years had drawn the fine,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

My thoughts flew to Mary Cavendish, and I hedged:

"In what way?"

"Well, Mr. Lawrence Cavendish's evidence for instance?"

I was relieved.

"Oh, Lawrence! No, I don't think so. He's always a nervous chap."

"His suggestion that his mother might have been poisoned accidentally by means of the tonic she was taking, that did not strike you as strange--hein?"

"No, I can't say it did. The doctors ridiculed it of course. But it was quite a natural suggestion for a layman to make."


The Mysterious Affair at Styles