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Today's Stichomancy for John Glenn

The first excerpt represents the past or something you must release, and is drawn from To-morrow by Joseph Conrad:

her head. These two voices beginning to talk sud- denly outside (she had heard them indoors) had given her such an emotion that she could not utter a sound.

Captain Hagberd seemed to be trying to find his way out of a cage. His feet squelched in the pud- dles left by his industry. He stumbled in the holes of the ruined grass-plot. He ran blindly against the fence.

"Here, steady a bit!" said the man at the gate, gravely stretching his arm over and catching him


To-morrow
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moon-Face and Other Stories by Jack London:

Yours, in long farewell, WADE ATSHELER.

THE SHADOW AND THE FLASH

WHEN I look back, I realize what a peculiar friendship it was. First, there was Lloyd Inwood, tall, slender, and finely knit, nervous and dark. And then Paul Tichlorne, tall, slender, and finely knit, nervous and blond. Each was the replica of the other in everything except color. Lloyd's eyes were black; Paul's were blue. Under stress of excitement, the blood coursed olive in the face of Lloyd, crimson in the face of Paul. But outside this matter of coloring they were as like as two peas. Both were high-strung, prone to excessive tension and endurance, and they lived at concert pitch.

The third excerpt represents the future or something you must embrace, and is drawn from The Time Machine by H. G. Wells:

print had left them. But here and there were warped boards and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralized upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified. At the time I will confess that I thought chiefly of the PHILOSOPHICAL TRANSACTIONS and my own seventeen papers upon physical optics.

`Then, going up a broad staircase, we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of useful discoveries. Except at one end where the


The Time Machine