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Today's Stichomancy for John Lennon

The first excerpt represents the past or something you must release, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle:

own best friends. "I wonder," he said, "why the wretch should have hidden these papers so carefully away with the other treasures, for they could do him no good?" Then, answering his own question: "Like enough because these will give him a hold over the gentlemen to whom they are drawn so that he can make a good bargain for his own neck before he gives the bills back to their owners. I tell you what it is, Tom," he continued, "it is you yourself shall go to New York and bargain for the return of these papers. 'Twill be as good as another fortune to you."

The majority of the bills were drawn in favor of one Richard Chillingsworth, Esquire. "And he is," said Parson Jones, "one of


Howard Pyle's Book of Pirates
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

at which all were looking, sidled forward and touched her dress, cautiously, as if investigating a red-hot stove. Its mother's voice rang out like a warning trumpet. She rushed forward and grabbed her child, casting a terrible look of indignation at the girl.

Maggie's mother paced to and fro, addressing the doorful of eyes, expounding like a glib showman at a museum. Her voice rang through the building.

"Dere she stands," she cried, wheeling suddenly and pointing with dramatic finger. "Dere she stands! Lookut her! Ain' she a dindy? An' she was so good as to come home teh her mudder, she was! Ain' she a beaut'? Ain' she a dindy? Fer Gawd's sake!"


Maggie: A Girl of the Streets
The third excerpt represents the future or something you must embrace, and is drawn from Silas Marner by George Eliot:

a deal better off to ha' lost your money, nor to ha' kep it by foul means. I used to think, when you first come into these parts, as you were no better nor you should be; you were younger a deal than what you are now; but you were allays a staring, white-faced creatur, partly like a bald-faced calf, as I may say. But there's no knowing: it isn't every queer-looksed thing as Old Harry's had the making of--I mean, speaking o' toads and such; for they're often harmless, like, and useful against varmin. And it's pretty much the same wi' you, as fur as I can see. Though as to the yarbs and stuff to cure the breathing, if you brought that sort o' knowledge from distant parts, you might ha' been a bit freer of it.


Silas Marner