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Today's Stichomancy for John Lennon

The first excerpt represents the past or something you must release, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

growing! People passing by had a sickly look, as if they were struck by the plague. He pushed the damp hair back, wiping his forehead, with another glance at the mill-women coming out of the gate, and then followed the phaeton down the hill.

CHAPTER VI.

An hour after, the evening came on sultry, the air murky, opaque, with yellow trails of colour dragging in the west: a sullen stillness in the woods and farms; only, in fact, that dark, inexplicable hush that precedes a storm. But Lois, coming down the hill-road, singing to herself, and keeping time with her whip-end on the wooden measure, stopped when she grew conscious


Margret Howth: A Story of To-day
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Secret Adversary by Agatha Christie:

shall come in on the ground floor."

With which promise she took leave of her new ally, and walked briskly away from South Audley Mansions, well pleased with her morning's work.

But there was no time to be lost. She went straight back to the Ritz and wrote a few brief words to Mr. Carter. Having dispatched this, and Tommy not having yet returned--which did not surprise her--she started off on a shopping expedition which, with an interval for tea and assorted creamy cakes, occupied her until well after six o'clock, and she returned to the hotel jaded, but satisfied with her purchases. Starting with a cheap


Secret Adversary
The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac:

"Had she an aunt even then?" exclaimed Malaga. "Hang it all, Maxime did things handsomely."

"Alas! it was a real aunt," said Desroches; "her name was--let me see----"

"Ida Bonamy," said Bixiou.

"So as Antonia's aunt took a good deal of the work off her hands, she went to bed late and lay late of a morning, never showing her face at the desk until the afternoon, some time between two and four. From the very first her appearance was enough to draw custom. Several elderly men in the quarter used to come, among them a retired coach-builder, one Croizeau. Beholding this miracle of female loveliness through the