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Today's Stichomancy for John Wayne

The first excerpt represents the past or something you must release, and is drawn from The Unseen World and Other Essays by John Fiske:

attributes. The author of the fourth gospel is, like Justin, a Philonian Gnostic; but he differs from Justin in his bold and skilful treatment of the traditional materials supplied by the earlier gospels. The process of development in the theories and purposes of Jesus, which can be traced throughout the Messianic descriptions of the first gospel, is entirely obliterated in the fourth. Here Jesus appears at the outset as the creator of the world, descended from his glory, but destined soon to be reinstated. The title "Son of Man" has lost its original significance, and become synonymous with "Son of God." The temptation, the transfiguration, the scene in Gethsemane, are


The Unseen World and Other Essays
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

us rebels! Why shouldn't they try to turn those bloody Turks out? Besides," said Peter, bending over and talking in the manner of one who imparts secret and important information; "you see, if we don't help the Armenians the Russians would; and we," said Peter, looking exceedingly knowing, "we've got to prevent that: they'd get the land; and it's on the road to India. And we don't mean them to. I suppose you don't know much about politics in Palestine?" said Peter, looking kindly and patronisingly at the stranger.

"If these men," said the stranger, "would rather be free, or be under the British Government, than under the Chartered Company, why, when they resist the Chartered Company, are they more rebels than the Armenians when they

The third excerpt represents the future or something you must embrace, and is drawn from Glinda of Oz by L. Frank Baum:

become few and far between and often there were no paths at all in the direction they wished to follow. At such times they crossed the fields, avoiding groups of trees and fording the streams and rivulets whenever they came to them. But finally they reached a broad hillside closely covered with scrubby brush, through which the wagon could not pass.

"It will be difficult even for you and me to get through without tearing our dresses," said Ozma, "so we must leave the Sawhorse and the Wagon here until our return."


Glinda of Oz