Today's Stichomancy for John Wilkes Booth

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Stories From the Old Attic by Robert Harris:

until she reached the wall where she could go no farther. She cried out and pounded her fists against the wall in despair until the men caught up with her and carried her away. The bridge then said to the wall in disgust, "You once accused me of having no discretion, but you are worse, for you are completely heartless. You're so cold and rigid that you cruelly prevent even the distressed and needy from passing by. Maybe that's why walls are known everywhere as symbols of 'No!' while we bridges are known as symbols of 'Yes!'"

"You, my loose and easy friend," said the wall, "indeed let the distressed pass, but you also let the criminals pass. I, on the other hand, provide the needed security to keep the land behind me

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of Writing by Robert Louis Stevenson:

particulars which we know we can describe; and hence those most of all which, having been described very often, have grown to be conventionally treated in the practice of our art. These we choose, as the mason chooses the acanthus to adorn his capital, because they come naturally to the accustomed hand. The old stock incidents and accessories, tricks of work-manship and schemes of composition (all being admirably good, or they would long have been forgotten) haunt and tempt our fancy, offer us ready-made but not perfectly appropriate solutions for any problem that arises, and wean us from the study of nature and the uncompromising practice

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

them that he came to shore upon the beach in front of Attwater's. There he sat down, and looked forth into a world without any of the lights of hope. The poor diving dress of self-conceit was sadly tattered! With the fairy tale of suicide, of a refuge always open to him, he had hitherto beguiled and supported himself in the trials of life; and behold! that also was only a fairy tale, that also was folk-lore. With the consequences of his acts he saw himself implacably confronted for the duration of life: stretched upon a cross, and nailed there with the iron bolts of his own cowardice. He had no tears; he told himself no stories. His disgust with himself was so complete

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

very civilly addressed me.

'Miss Gould, I believe?' said he; and then, excusing himself to the lady by the authority of my guardian, drew me to the fore platform of the Pullman car. 'Miss Gould,' he said in my ear, 'is it possible that you suppose yourself in safety? Let me completely undeceive you. One more such indiscretion and you return to Utah. And, in the meanwhile, if this woman should again address you, you are to reply with these words: "Madam, I do not like you, and I will be obliged if you will suffer me to choose my own associates."'

Alas, I had to do as I was bid; this lady, to whom I already