The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: he has found that day that there is no race yet in the world that
quite spontaneously, naturally, and unconsciously realizes his
ideal. He himself has found how far short Godhead falls of the
thing it conceives. He, the greatest of gods, has been unable to
control his fate: he has been forced against his will to choose
between evils, to make disgraceful bargains, to break them still
more disgracefully, and even then to see the price of his
disgrace slip through his fingers. His consort has cost him half
his vision; his castle has cost him his affections; and the
attempt to retain both has cost him his honor. On every side he
is shackled and bound, dependent on the laws of Fricka and on the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: sentimentalists who do all the mischief; who play on their own
lovely emotions, forsooth, till they wear out those fine
fiddlestrings, and then have nothing left but the flesh and the
D. Don't tell me!"
"Do stop, auntie," interposed Kate, quite alarmed, "you are
really worse than a coachman. You are growing very profane
indeed."
"I have a much harder time than any coachman, Kate," retorted
the injured lady. "Nobody tries to stop him, and you are
always hushing me up."
"Hushing you up, darling?" said Kate. "When we only spoil you
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