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Today's Stichomancy for Jon Stewart

The first excerpt represents the past or something you must release, and is drawn from A Horse's Tale by Mark Twain:

should he treat dumb animals that way when they are not doing any harm?"

"Man is not always like that, Mongrel; he is kind enough when he is not excited by religion."

"Is the bull-fight a religious service?"

"I think so. I have heard so. It is held on Sunday."

(A REFLECTIVE PAUSE, LASTING SOME MOMENTS.) Then:

"When we die, Sage-Brush, do we go to heaven and dwell with man?"

"My father thought not. He believed we do not have to go there unless we deserve it."

PART II - IN SPAIN

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Far From the Madding Crowd by Thomas Hardy:

the coffin, and drove along through the unwholesome night. It had gradually become rumoured in the village that the body to be brought and buried that day was all that was left of the unfortunate Fanny Robin who had followed the Eleventh from Casterbridge through Melchester and onwards. But, thanks to Boldwood's reticence and Oak's generosity, the lover she had followed had never been individualized as Troy. Gabriel hoped that the whole truth of the matter might not be published till at any rate the girl had been in her grave for a few


Far From the Madding Crowd
The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis:

blotted, so his soul took in the mean temptation, lapped it in fancied rights, in dreams of improved existences, drifting and endless as the cloud-seas of color. Clutching it, as if the tightness of his hold would strengthen his sense of possession, he went aimlessly down the street. It was his watch at the mill. He need not go, need never go again, thank God!--shaking off the thought with unspeakable loathing.

Shall I go over the history of the hours of that night? how the man wandered from one to another of his old haunts, with a half- consciousness of bidding them farewell,--lanes and alleys and back-yards where the mill-hands lodged,--noting, with a new


Life in the Iron-Mills