| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fisherman's Luck by Henry van Dyke: Colonel Gordon McCabe. I once crossed the ocean with him on a
stream of stories that reached from Liverpool to New York. He did
not talk in the least like a book. He talked like a Virginian.
When Montaigne mentions GAYETY as the third clement of satisfying
discourse, I fancy he does not mean mere fun, though that has its
value at the right time and place. But there is another quality
which is far more valuable and always fit. Indeed it underlies the
best fun and makes it wholesome. It is cheerfulness, the temper
which makes the best of things and squeezes the little drops of
honey even out of thistle-blossoms. I think this is what Montaigne
meant. Certainly it is what he had.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Firm of Nucingen by Honore de Balzac: imagine that they and the woman they love are the only two beings in
the world; for them millions are dirt; the glove or the camellia
flower that She wore is worth millions. If the squandered filthy lucre
is never to be found again in their possession, you find the remains
of floral relics hoarded in dainty cedar-wood boxes. They cannot
distinguish themselves one from the other; for them there is no 'I'
left. THOU--that is their Word made flesh. What can you do? Can you
stop the course of this 'hidden disease of the heart'? There are fools
that love without calculation and wise men that calculate while they
love."
"To my thinking Bixiou is sublime," cried Blondet. "What does Finot
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: and I don't think her heart was fixed when she was very young; at
least, I don't think it was fixed so she knew it."
"I wonder," said Amelia, "if he will go and call on her."
Amelia privately wished that she lived near enough to know if
Harry Lawton did call. She, as well as Mrs. Joseph Glynn, would
have enjoyed watching out and knowing something of the village
happenings, but the Lancaster house was situated so far from the
road, behind its grove of trees, that nothing whatever could be
seen.
"I doubt if Eudora tells, if he does call--that is, not unless
something definite happens," said Anna.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe: always been kind and friendly towards me,--then she seemed to soften,--
she looked at me,--my brain reeled,--I felt her lips on mine,--and --and
now?--Die, wretch! Why dost thou hesitate? (He draws a phial from his
pocket.) Thou healing poison, it shall not have been in vain that I stole
thee from my brother's medicine chest! From this anxious fear, this
dizziness, this death-agony, thou shalt deliver me at once.
ACT II
SCENE I.--Square in Brussels
Jetter and a Master Carpenter (meeting)
Carpenter. Did I not tell you beforehand? Eight days ago, at the guild, I
said there would be serious disturbances?
 Egmont |