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Today's Stichomancy for Jonas Salk

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

was heightened by the light touch with which it was drawn, a murmur of indignant sympathy broke from Trenor. Twenty-four hours earlier, if his wife had consulted him on the subject of Miss Bart's future, he would have said that a girl with extravagant tastes and no money had better marry the first rich man she could get; but with the subject of dis

cussion at his side, turning to him for sympathy, making him feel that he understood her better than her dearest friends, and confirming the assurance by the appeal of her exquisite nearness, he was ready to swear that such a marriage was a desecration, and that, as a man of honour, he was bound to do all he could to protect her from the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

"Yes, my boy, yes--it's taken all the time since I first went; but they're slow, they're slow; and there's the counsel they've got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That's all he can do for the money they give him; and it's a big sum--it's a big sum. But he's a 'cute fellow, with an eye that 'ud pick the needles out of the hay in no time. If a man had got no feelings, it 'ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I'd have given up figures for ever only to have had some good news to bring to you, my poor lad."


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Hiero by Xenophon:

make it their business to discover some good thing or other for the state. Wherever matters of advantage to the state excite deep interest, of necessity discoveries are made more freely and more promptly perfected. But if you are afraid, O mighty prince, that through the multitude of prizes offered[23] under many heads, expenses also must be much increased, consider that no articles of commerce can be got more cheaply than those which people purchase in exchange for prizes. Note in the public contests (choral, equestrian, or gymnastic)[24] how small the prizes are and yet what vast expenditure of wealth and toil, and painful supervision these elicit.[25]

[23] Reading {protithemenon} with Cobet.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Altar of the Dead by Henry James:

the rate we live in polite society, it had practically become, for our friend, the mere memory of a shock. They stood there and laughed and talked; Stransom had instantly whisked the shock out of the way, to keep it for private consumption. He felt himself grimace, he heard himself exaggerate the proper, but was conscious of turning not a little faint. That new woman, that hired performer, Mrs. Creston? Mrs. Creston had been more living for him than any woman but one. This lady had a face that shone as publicly as the jeweller's window, and in the happy candour with which she wore her monstrous character was an effect of gross immodesty. The character of Paul Creston's wife thus attributed to