| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: oneself.
The scandal of the keeper continues and gets bigger like a snowball.
Mrs Bolton keeps me informed. She reminds me of a fish which, though
dumb, seems to be breathing silent gossip through its gills, while ever
it lives. All goes through the sieve of her gills, and nothing
surprises her. It is as if the events of other people's lives were the
necessary oxygen of her own.
She is preoccupied with tie Mellors scandal, and if I will let her
begin, she takes me down to the depths. Her great indignation, which
even then is like the indignation of an actress playing a role, is
against the wife of Mellors, whom she persists in calling Bertha
 Lady Chatterley's Lover |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Critias by Plato: must also take to myself. But remember, Critias, that faint heart never
yet raised a trophy; and therefore you must go and attack the argument like
a man. First invoke Apollo and the Muses, and then let us hear you sound
the praises and show forth the virtues of your ancient citizens.
CRITIAS: Friend Hermocrates, you, who are stationed last and have another
in front of you, have not lost heart as yet; the gravity of the situation
will soon be revealed to you; meanwhile I accept your exhortations and
encouragements. But besides the gods and goddesses whom you have
mentioned, I would specially invoke Mnemosyne; for all the important part
of my discourse is dependent on her favour, and if I can recollect and
recite enough of what was said by the priests and brought hither by Solon,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wheels of Chance by H. G. Wells: his coffee cup clumsily, cleared his throat, suddenly leant back
in his chair, and thrust his hands deep into his pockets. "I'll
do it," he said aloud.
"Do what?" said Jessie, looking up in surprise over the coffee
pot. She was just beginning her scrambled egg.
"Own up."
"Own what?"
"Miss Milton-- I'm a liar." He put his head on one side and
regarded her with a frown of tremendous resolution. Then in
measured accents, and moving his head slowly from side to side,
he announced, "Ay'm a deraper."
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rivers to the Sea by Sara Teasdale: Hushing the voices . . . yet he knew
That he would go.
* * * * * *
A quick-spun thread of lightning burns,
And for a flash the day returns--
He only hears
Joseph, an old man bent and white
Toiling alone from morn till night
Thru all the years.
Swift clouds make all the heavens blind,
A storm is running on the wind--
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