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Today's Stichomancy for Jude Law

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Time Machine by H. G. Wells:

`It was time for a match. But to get one I must put her down. I did so, and, as I fumbled with my pocket, a struggle began in the darkness about my knees, perfectly silent on her part and with the same peculiar cooing sounds from the Morlocks. Soft little hands, too, were creeping over my coat and back, touching even my neck. Then the match scratched and fizzed. I held it flaring, and saw the white backs of the Morlocks in flight amid the trees. I hastily took a lump of camphor from my pocket, and prepared to light is as soon as the match should wane. Then I looked at Weena. She was lying clutching my feet and quite motionless, with her face to the ground. With a sudden fright I


The Time Machine
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wheels of Chance by H. G. Wells:

one might expect in a person unused to muscular exercise. Blisters on the hands are eloquent of the nervous clutch of the wavering rider. And so forth, until Sherlock is presently explaining, by the help of the minor injuries, that the machine ridden is an old-fashioned affair with a fork instead of the diamond frame, a cushioned tire, well worn on the hind wheel, and a gross weight all on of perhaps three-and-forty pounds.

The revelation is made. Behind the decorous figure of the attentive shopman that I had the honour of showing you at first, rises a vision of a nightly struggle, of two dark figures and a machine in a dark road,--the road, to be explicit, from

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville:

discomfited and slain. And I trow, that unnethe should any country have so much people within him, as lay slain in that vale as us thought, the which was an hideous sight to see. And I marvelled much, that there were so many, and the bodies all whole without rotting. But I trow, that fiends made them seem to be so whole without rotting. But that might not be to mine advice that so many should have entered so newly, ne so many newly slain, with out stinking and rotting. And many of them were in habit of Christian men, but I trow well, that it were of such that went in for covetise of the treasure that was there, and had overmuch feebleness in the faith; so that their hearts ne might not endure

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

So, call him the Hyena Whale, if you please. His voracity is well known, and from the circumstance that the inner angles of his lips are curved upwards, he carries an everlasting Mephistophelean grin on his face. This whale averages some sixteen or eighteen feet in length. He is found in almost all latitudes. He has a peculiar way of showing his dorsal hooked fin in swimming, which looks something like a Roman nose. When not more profitably employed, the sperm whale hunters sometimes capture the Hyena whale, to keep up the supply of cheap oil for domestic employment--as some frugal housekeepers, in the absence of company, and quite alone by themselves, burn unsavory tallow instead of odorous wax. Though


Moby Dick